Additional information
by Joe Hill (Author)
From the New York Times bestselling author of NOS4A2 and Horns comes this award-winning collection of short fiction.
Imogene is young, beautiful . . . and dead, waiting in the Rosebud Theater one afternoon in 1945. . . .
Francis was human once, but now he's an eight-foot-tall locust, and everyone in Calliphora will tremble when they hear him sing. . . .
John is locked in a basement stained with the blood of half a dozen murdered children, and an antique telephone, long since disconnected, rings at night with calls from the dead. . . .
Nolan knows but can never tell what really happened in the summer of '77, when his idiot savant younger brother built a vast cardboard fort with secret doors leading into other worlds. . . .
The past isn't dead. It isn't even past. . . .
Front Jacket
Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon on an afternoon in 1945 . . .
Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town . . .
Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing . . .
John Finney is locked in a basement that's stained with the blood of half a dozen murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead . . .
The past isn't dead. It isn't even past . . .
--New York Times Book Review (Editor's Choice)Back Jacket
Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon on an afternoon in 1945 . . .
Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town . . .
Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing . . .
John Finney is locked in a basement that's stained with the blood of half a dozen murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead . . .
The past isn't dead. It isn't even past . . .
