{"product_id":"a-fury-in-the-words-love-and-embarrassment-in-shakespeares-venice-paperback-1","title":"A Fury in the Words: Love and Embarrassment in Shakespeare's Venice - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eHarry Berger\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eShakespeare's two Venetian plays are dominated by the discourse of embarrassment. The Merchant of Venice is a comedy of embarrassment, and Othello is a tragedy of embarrassment. This nomenclature is admittedly anachronistic, because the term \"embarrassment\" didn't enter the language until the late seventeenth century. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eTo embarrass is to make someone feel awkward or uncomfortable, humiliated or ashamed. Such feelings may respond to specific acts of criticism, blame, or accusation. \"To embarrass\" is literally to \"embar\" to put up a barrier or deny access. The bar of embarrassment may be raised by unpleasant experiences. It may also be raised when people are denied access to things, persons, and states of being they desire or to which they feel entitled. \u003cp\u003e\u003c\/p\u003eThe Venetian plays represent embarrassment not merely as a condition but as a weapon and as the wound the weapon inflicts. Characters in The Merchant of Venice and Othello devote their energies to embarrassing one another. But even when the weapon is sheathed, it makes its presence felt, as when Desdemona means to praise Othello and express her love for him: \"I saw Othello's visage in his mind\" (1.3.253). This suggests, among other things, that she didn't see it in his face.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eHarry Berger, Jr., is Professor Emeritus of Literature and Art History at the University of California, Santa Cruz. His most recent books include \u003ci\u003eFigures of a Changing World: Metaphor and the Emergence of Modern Culture\u003c\/i\u003e and\u003ci\u003e A Fury in the Words: Love and Embarrassment in Shakespeare's Venice\u003c\/i\u003e (both Fordham).\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 240\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.7 x 8.9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e November 14, 2012\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":45814278684869,"sku":"9780823241958","price":63.91,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6718\/5605\/files\/Gtex9w7OlW9780823241958_622cf144-e3e4-480c-b360-1b16eaae837d.webp?v=1771006163","url":"https:\/\/selloorium.com\/products\/a-fury-in-the-words-love-and-embarrassment-in-shakespeares-venice-paperback-1","provider":"Selloorium","version":"1.0","type":"link"}