Additional information
by Robin Beth Levenson (Author)
This unique study explores the history and approaches of translation, the notion of "action" from Aristotle to Adler, and Anton Chekhov's inimitable dramaturgy. English translations, adaptations, and versions are each considered from the actor's points of view, from the page to the stage.
Author Biography
Robin Beth Levenson completed her BA in French and dramatic art at the University of California, Santa Barbara; her MFA in acting at the University of California, Riverside; and her PhD in music and performing arts at New York University. She has written articles for Communications From the International Brecht Society on Woyzeck and The Seagull, for Dialogues in Social Justice: An Adult Education Journal on Ta-Nehisi Coates, and for the New York Society for General Semantics on language and George Gurdjieff, as well as publications for the New York State Communication Association, where she is also on the executive board. She has acted professionally in Los Angeles and New York, on stage and in film. She is currently Assistant Professor of Communication at LaGuardia Community College, CUNY. Her research interests include how language influences thought and behavior and the nature of performance.
