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by Craig Dabelstein (Editor), David Whitwell (Author)
For the first time, Dr. David Whitwell presents a thorough study of the performance of music in society together with the philosophical views on art versus entertainment, the role of performance in education and character formation and how earlier philosophers viewed the interplay among Reason, Emotions, experience and the senses. The present volume gives the reader a comprehensive view of the aesthetics of music in sixteenth-century Italy, France and Spain. Included here are some of the greatest writers and artists of the High Renaissance, including Castiglione, Cardano, Michelangelo and Montaigne. Since the sixteenth century represents the final chapter in the long Church philosophy of Scholasticism in music, the reader will find particular interest in separate chapters on the Theory of Music versus the Practice of Music in Italy.
Author Biography
David Whitwell studied conducting at the Akademie fur Musik, Vienna, with Hans Swarowsky, and with Eugene Ormandy. He has conducted resident ensembles in Austria, Switzerland, Israel, Japan, Wales, England, Germany, The Netherlands, Bolivia, Peru, Korea, Taiwan, Russia and the United States, among them the Philadelphia Orchestra, Seattle Symphony Orchestra, the Czech Radio Orchestras of Brno and Bratislava, and The National Youth Orchestra of Israel. David Whitwell was named as one of six men who have determined the course of American bands during the second half of the twentieth century, in the definitive history, The Twentieth Century American Wind Band (Meredith Music), and he is one of nine men described by Paula A. Crider in The Conductor's Legacy (Chicago: GIA, 2010) as 'the legendary conductors' of the twentieth century.
