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by Lori Jakiela (Author)
Lori Jakiela's memoir examines both the lives we are born with and the lives we create for ourselves.
After her adoptive mother's death, Lori Jakiela, at the age of forty, begins to seek the identity of her birth parents. Amid this loss, Jakiela also finds herself with a need to uncover her family's medical history to gather answers for her daughter's newly revealed medical ailments. This memoir brings together these parallel searches while chronicling intergenerational questions of family. Desires for emotional resolution comingle with concerns of medical inheritance and loss in this honest, humorous, and heartbreaking memoir.Author Biography
Lori Jakiela is the author of the memoir Belief Is Its Own Kind of Truth, Maybe, which received the 2016 William Saroyan Prize for International Literature from Stanford University, was a finalist for the Council of Literary Magazine and Small Presses Firecracker Award and the Housatonic Literary Award, and named one of 20 Not-to-Miss Books of Nonfiction of 2015 by The Huffington Post. Jakiela is the author of an essay collection, Portrait of the Artist as a Bingo Worker (Bottom Dog Press), as well as two other memoirs--Miss New York Has Everything (Hatchette) and The Bridge to Take When Things Get Serious (C&R Press). She is also the author of the poetry collection Spot the Terrorist (Turning Point) and several limited-edition poetry chapbooks. Her latest poetry chapbook, Big Fish, was published by Stranded Oak Press in 2016. Her work has been published in The New York Times, The Washington Post, The Chicago Tribune, The Pittsburgh Post-Gazette, The Rumpus, Brevity, and more.
