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by Anthony Curtis Adler (Author), Costica Bradatan (Editor)
With the release of Parasite (2019), winner of the Palme d'Or and an Academy Award for Best Picture, the South Korean director Bong Joon Ho secured his place as one of his generation's leading filmmakers. While scholars and critics have long appreciated his penetrating critique of Korean society and global capitalism, this book presents the first cohesive philosophical analysis of his first seven feature-length films. It argues that Bong's cinema not only engages with philosophy, but is radically philosophical.
Writing as an intimate outsider to Korea, a "resident alien" married into a Korean family, and teaching at Bong's own alma mater, Anthony Curtis Adler explores Bong's visionary and re-visionary treatment of spatiality, temporality, myth, memory, genre, and the semiotics of monstrosity.
Author Biography
Anthony Curtis Adler is a professor of German and Comparative Literature at Yonsei University's Underwood International College, South Korea. His most recent books include Celebricities: Media Culture and the Phenomenology of Gadget Commodity Life (2016), and Politics and Truth in Hölderlin: 'Hyperion' and the Choreographic Project of Modernity (2021).
