Additional information
by Morley Baer (Author)
Widely acknowledged as the leading architectural photographer of Northern California, the late Morley Baer had an enduring passion for photographing barns, which he began doing in the 1950s. This book makes available fine-arts quality prints of sixty-eight extraordinary black-and-white photographs of California barns, those often ghostly but comforting shapes in a grassy pasture we glimpse as we fly down the freeway at seventy miles an hour.
The photographs also serve as a documentary record of a once common and now vanishing element of the landscape of California and the West. What is it about an old barn that wrenches a heartfelt pang from us today? Why do we photograph them, visualize them in their prime, and voice strenuous objections when new developments threaten to wipe them away? For many of us, abandoned farm structures are the focus of romantic reverie, an evocation of our agrarian roots, inviting us back to what we imagine must have been simpler, less complicated lives. A vision of life on the farm conjures a sense of wholesomeness and hard work, tillers of the soil taming the wild land as the American way of life moved West.
Enjoyment of the superb photographs will be deepened by Bright Eastman's colorful discussion of the history and various roles and styles of barns, as well as by the description by Patrick Jablonski--Morley Baer's last assistant--of how Baer took pictures, developed his negatives, and printed them.
Front Jacket
Widely acknowledged as the leading architectural photographer of Northern California, the late Morley Baer had an enduring passion for photographing barns, which he began doing in the 1950s. This book makes available fine-arts quality prints of sixty-eight extraordinary black-and-white photographs of California barns, those often ghostly but comforting shapes in a grassy pasture we glimpse as we fly down the freeway at seventy miles an hour.
The photographs also serve as a documentary record of a once common and now vanishing element of the landscape of California and the West. What is it about an old barn that wrenches a heartfelt pang from us today? Why do we photograph them, visualize them in their prime, and voice strenuous objections when new developments threaten to wipe them away? For many of us, abandoned farm structures are the focus of romantic reverie, an evocation of our agrarian roots, inviting us back to what we imagine must have been simpler, less complicated lives. A vision of life on the farm conjures a sense of wholesomeness and hard work, tillers of the soil taming the wild land as the American way of life moved West.
Enjoyment of the superb photographs will be deepened by Bright Eastman's colorful discussion of the history and various roles and styles of barns, as well as by the description by Patrick Jablonski--Morley Baer's last assistant--of how Baer took pictures, developed his negatives, and printed them.
Back Jacket
. . . [His] focus, among others, was the extraordinary nature of the most ordinary barns. Plain and simple. . . . Morley's most luminescent images reveal as much about the man as they do about the subjects, themselves.--The Monterey County Herald
"California Plain--Remembering Barns, a book of photography by the late Morley Baer of Carmel and edited by his widow, Frances Baer, is proof of why Morley Baer was known as his generation's premier architectural photographer of Northern California."--The Carmel Pine Cone
Author Biography
Morley Baer's photographic books include Stones of the Sur: Poetry by Robinson Jeffers, Photographs by Morley Baer (Stanford, 2001); Light Years: The Photographs of Morley Baer; The Wilder Shore; Room and Time Enough: The Land of Mary Austin; Painted Ladies: San Francisco's Resplendent Victorians; and Adobes in the Sun.
