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by Burt Feintuch (Author), Jeannie Banks Thomas (Editor), Gary Samson (Photographer)
Creole Soul: Zydeco Lives is an exquisitely photographed volume of interviews with contemporary zydeco musicians. Featuring the voices of zydeco's venerable senior generation and its current agents of change, this book celebrates a musical world full of passion, energy, cowboy hats and boots, banging bass, horse trailers, joy, and dazzling dance moves. Author Burt Feintuch captures an important American music in the process of significant--and sometimes controversial--change.
Creole Soul draws us into conversations with zydeco musicians from Texas and Louisiana, most of them bandleaders, including Ed Poullard, Lawrence "Black" Ardoin, Step Rideau, Brian Jack, Jerome Batiste, Ruben Moreno, Nathan Williams Jr., Leroy Thomas, Corey Ledet, Sean Ardoin, and Dwayne Dopsie. Some of the interviewees represent the contemporary scene and are among today's most popular performers along the Creole Corridor. Others are rooted in older French music forms and are especially well qualified to talk about zydeco's origins. The musicians speak freely, whether discussing the death of a famed musician or describing a memorable performance, such as when Boozoo Chavis played the accordion while dripping blood on stage shortly after a freak barbeque-building accident that sliced off parts of two of his fingers. They address the influence of rap on today's zydeco music and discuss how to pass music along to a younger generation--and how not to. They weigh the merits of the old-time zydeco clubs versus today's casinos and African American trailrides, which come complete with horses and the loudest zydeco bands you can imagine. In Creole Soul, zydeco musicians give an unprecedented look into their lives, their music, and their culture.Author Biography
Burt Feintuch (1949-2018) wrote about roots music, regional cultures, and music revivals in North America and abroad starting in the 1970s, along with producing documentary sound recordings. An academic and musician, he also directed the Center for the Humanities and was a professor of folklore for many years at the University of New Hampshire. He is author of Talking New Orleans Music: Crescent City Musicians Talk about Their Lives, Their Music, and Their City, published by University Press of Mississippi. Jeannie Banks Thomas is a fellow of the American Folklore Society and a professor in the Department of English and Folklore Program at Utah State University. She is author of several books on contemporary folklore, two of which won international awards. Gary Samson is an accomplished fine arts photographer and New Hampshire Artist Laureate whose work has been exhibited internationally. He chaired the Photography Department at the New Hampshire Institute of Art. He is professor emeritus of photography at the Institute of Art and Design at New England College. He is photographer for Talking New Orleans Music: Crescent City Musicians Talk about Their Lives, Their Music, and Their City, published by University Press of Mississippi.
