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by Arturo J. Aldama (Editor), Naomi Quinonez (Editor)
The interdisciplinary essays in Decolonial Voices discuss racialized, subaltern, feminist, and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural productions. This collection represents several key directions in the field: First, it charts how subaltern cultural productions of the US/ Mexico borderlands speak to the intersections of "local," "hemispheric," and "globalized" power relations of the border imaginary. Second, it recovers the Mexican women's and Chicana literary and cultural heritages that have been ignored by Euro-American canons and patriarchal exclusionary practices. It also expands the field in postnationalist directions by creating an interethnic, comparative, and transnational dialogue between Chicana and Chicano, African American, Mexican feminist, and U.S. Native American cultural vocabularies.
Contributors include Norma Alarcón, Arturo J. Aldama, Frederick Luis Aldama, Cordelia Chávez Candelaria, Alejandra Elenes, Ramón Garcia, María Herrera-Sobek, Patricia Penn Hilden, Gaye T. M. Johnson, Alberto Ledesma, Pancho McFarland, Amelia María de la Luz Montes, Laura Elisa Pérez, Naomi Quiñonez, Sarah Ramirez, Rolando J. Romero, Delberto Dario Ruiz, Vicki Ruiz, José David Saldívar, Anna Sandoval, and Jonathan Xavier Inda.
Author Biography
Arturo J. Aldama is Associate Professor in the Department of Chicana/o Studies at Arizona State University. He is the author of Disrupting Savagism: Intersecting Chicana/o, Mexicana/o and Native American Struggles for Representation and several articles on Chicana/o and Native American cultural, literary and filmic studies. He is also Director elect for the Chicana and Chicano literary studies executive committee of the Modern Language Association.
Naomi Quiñonez is Assistant Professor in the Department of Chicana/o Studies at Cal State Fullerton. She is a widely anthologized poet and the author of Hummingbird Dreams/ Sueño de Colibri; The Smoking Mirror (1998); the editor of Invocation L.A.: Urban Multicultural Poetry. Her scholarly work appears in several anthologies and special issues of top refereed journals.
