Additional information
by Dom O'Hanlon (Author)
How do you choose a musical to direct that suits your amateur theatre group's needs?
How do you run an open and fair audition process and cast a show appropriately?
How do you design a rehearsal schedule to cover a large set of amateur performers?
How do you work with amateur actors to achieve a level of professionalism in performance while maintaining the enjoyment?
Rooted in the wide-ranging experience of a working practitioner who specialises in directing amateur musical theatre across various different formats, it details ways to stage different types of musical numbers, through to blocking and staging a scene, as well as how to approach a text and expanding the acting skills of a mixed-ability cast. Considering the opportunities offered by different musicals, it equips you to direct shows ranging from the golden age through to more contemporary works with imaginative, sensitive and informed direction.
Featuring practical advice and exercises that follow the life-cycle of a production, this book also includes helpful charts, diagrams, templates and tools that break down the fundamental elements of directing a musical in a digestible way that will appeal to first-time, as well as more experienced, directors looking to hone and refine their craft. This invaluable handbook - the first to be published in the post-Covid landscape - will be invaluable to anyone with an interest in directing amateur musical theatre and would like to bring more to, and gain more from, the experience.
Author Biography
Dom O'Hanlon is a director of musical theatre who has over fifteen years of experience directing and working within amateur theatre in the UK and USA. His experience spans university and college productions, summer camp and summer stock, educational and TIE musicals as well as many London and regional amateur theatre societies and companies. He has worked in a range of capacities on productions with amateur performers from ages 6 to 70 in all manners of spaces from traditional theatres to outdoor arenas and converted swimming pools and on a range of work from classic to new musicals. He holds an MA Distinction in Text and Performance from RADA and Birkbeck, University of London, UK. He is currently a Senior Publisher of Plays and Musical Theatre at Methuen Drama.
