{"product_id":"ex-centric-cinema-giorgio-agamben-and-film-archaeology-paperback-1","title":"Ex-centric Cinema Giorgio Agamben and Film Archaeology - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eJanet Harbord\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eIn the beginning, cinema was an encounter between humans, images and machine technology, revealing a stream of staccato gestures, micrographic worlds, and landscapes seen from above and below. In this sense, cinema's potency was its ability to bring other, non-human modes of being into view, to forge an encounter between multiple realities that nonetheless co-exist. Yet the story of cinema became (through its institutionalization) one in which the human swiftly assumed centrality through the literary crafting of story, character and the expression of interiority. \u003cbr\u003e\u003cbr\u003e\u003ci\u003eEx-centric Cinema\u003c\/i\u003etakes an archaeological approach to the study of cinema through the writings of philosopher Giorgio Agamben, arguing that whilst we have a century-long tradition of cinema, the possibility of what cinema may have become is not lost, but co-exists in the present as an unexcavated potential. The term given to this history is ex-centric cinema, describing a centre-less moving image culture where animals, children, ghosts and machines are privileged vectors, where film is always an incomplete project, and where audiences are a coming community of ephemeral connections and links. Discussing such filmmakers as Harun Farocki, the Lumiere Brothers, Guy Debord and Wong Kar-wai, Janet Harbord draws connections with Agamben to propose a radically different way of thinking about cinema.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eJanet Harbord\u003c\/b\u003e is Professor of Film Studies at Queen Mary, University of London, UK. She is the author of several books on film and philosophies of the moving image, including \u003ci\u003eChris Marker: La Jetée \u003c\/i\u003e(2009), \u003ci\u003e The Evolution of Film \u003c\/i\u003e(2006) and \u003ci\u003e Film Cultures \u003c\/i\u003e(2002). She is the recipient of grants from the AHRC, EPSRC and the Leverhulme Trust.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 272\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.9 x 8.9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e October 20, 2016\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":45847245816005,"sku":"9781628922417","price":73.71,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6718\/5605\/files\/Uu3HNVF0RI9781628922417_1e564350-6556-43d7-848c-08bc62760d61.webp?v=1771409718","url":"https:\/\/selloorium.com\/products\/ex-centric-cinema-giorgio-agamben-and-film-archaeology-paperback-1","provider":"Selloorium","version":"1.0","type":"link"}