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by Matthew Johnson (Author)
Matthew Johnson's second poetry volume constructs a space where the rural communities of Upstate, the suburban living of the Lower Hudson Valley, and the metropolitan landscapes of the City are woven together in a mosaic snapshot. A collection of poems where the historical and cultural traditions of New York State meet, the reader is acquainted not only with seminal figures across the cultural channels of literature, music, and sports, such as Washington Irving, Paul Robeson, and the '86 Mets, but to the author himself. Tender, playful, and meditative, Johnson presents stories that he has lived, and shares others that have been passed down through familial storytelling around the kitchen table and cookout barbecue pit.
"Matthew Johnson offers a rich tapestry of stories drawn from the lives of historical figures, professional athletes, musicians, and more, to address divisions, struggles, triumphs, and realities. He writes, "the long cool is whittled down to the essentials of the essentials," carving out an image of America in all its smooth and sharp edges. His language moves from direct to musical, narrative to lyric, in a style that interrogates as it engages and invites."--Grant Clauser, author of Muddy Dragon on the Road to Heaven
"With its brilliant homages to Nas and Red Foxx, Matthew Johnson's Far from New York State creates a true jazz story, a collage, or a jigsaw puzzle--it's full of play and worthy of being read...Johnson opens up a space and lets the poems tell their own story." --Rochelle Spencer, author of AfroSurrealism: The African Diaspora's Surrealist Fiction
"Even from 35,000 feet, baseball diamonds look like baseball diamonds. In Johnson's poems you can still see the diamonds, though they are sketched on the blacktop with chalk or manifest by construction comes and fire hydrants on the minds of neighborhood kids. In the same way the giants of Jazz and Blues emerge from the poetic landscape and lend us a couple of bars, enliven and vivify a world that refuses to go sterile, because it has deep roots. Matthew Johnson's poetry gives these roots rain and mixes the demotic and the mythic to create a landscape of verse where one can imagine Duke Ellington and Satchel Page tipping caps to each other before disappearing into the poetic mist of Johnson's rich language that roils beneath each line. When the myth and the mist have cleared you can still see the baseball diamonds, the kids still pretending to be Nomo and Sosa, you can faintly hear the blues, and smell the newly oiled leather." --Aaron Dylan Graham, author of Blood Stripes
Poetry. African & African American Studies.
