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by C. Perkins (Editor), C. Verevis (Editor)
Drawing on a wide range of examples, this book - the first devoted to the phenomenon of the film trilogy- provides a dynamic investigation of the ways in which the trilogy form engages key issues in contemporary discussions of film remaking, adaptation, sequelization and serialization.
Author Biography
DAVID BOYD ConjointAssociate Professor of English and Film at the University of Newcastle, UK NICOLE BRENEZ teaches Cinema Studies at the University of Paris-1/Panthéon-Sorbonne, France SUSAN FELLEMAN Associate Professor of Cinema Studies and Women's Studies at Southern Illinois University, Carbondale, USA DANIEL HERBERTAssistant Professor in Screen Arts and Cultures at the University of Michigan, USA NIKKI J. Y. LEELecturer in Culture & Gender Studies at Yonsei University in Seoul, South Korea ADRIAN MARTINAssociate Professor in Film and Television Studies at Monash University, Australia LUCY MAZDONProfessor in Film Studies at the University of Southampton, UK PHILIPPE METProfessor of French at the University of Pennsylvania, USA R. BARTON PALMERCalhoun Lemon Professor of Literature and Director of Film Studies at Clemson University, USA MURRAY POMERANCE Professor in the Department of Sociology at Ryerson University, USA JULIAN STRINGERAssociate Professor in Film and Television Studies at the University of Nottingham, UK
