Additional information
by Keum Suk Gendry-Kim (Author), Janet Hong (Translator)
Appeared on best of the year lists from The New York Times, The Guardian, and more! Winner of The Cartoonist Studio Prize for Best Print Comic of the Year!
Grass is a powerful antiwar graphic novel, telling the life story of a Korean girl named Okseon Lee who was forced into sexual slavery for the Japanese Imperial Army during the Second World War--a disputed chapter in twentieth-century Asian history. Beginning in Lee's childhood, Grass shows the lead-up to the war from a child's vulnerable perspective, detailing how one person experienced the Japanese occupation and the widespread suffering it entailed for ordinary Koreans. Keum Suk Gendry-Kim emphasizes Lee's strength in overcoming the many forms of adversity she experienced. Grass is painted in a black ink that flows with lavish details of the beautiful fields and farmland of Korea and uses heavy brushwork on the somber interiors of Lee's memories. The cartoonist Gendry-Kim's interviews with Lee become an integral part of Grass, forming the heart and architecture of this powerful nonfiction graphic novel and offering a holistic view of how Lee's wartime suffering changed her. Grass is a landmark graphic novel that makes personal the desperate cost of war and the importance of peace.Author Biography
Keum Suk Gendry-Kim was born in Goheung in Jeolla Province. She has cartooned the graphic novels Grass, The Waiting, La saison des pluies, Jiseul, Jun, The Naked Tree, and Alexandra Kim, a Woman of Siberia; the autobiographical comic The Song of My Father; the three-volume children's comic Coquinette; the picture books The Baby Hanyeo Okrang Goes to Dokdo and A Day with My Grandpa; and the children's book My Mother Kang Geumsun. Grass (Drawn & Quarterly, 2019) appeared on Best of the Year lists from the New York Times and the Guardian, and received the Cartoonist Studio Prize for the Best Print Comic of the Year, the Big Other Book Award for Best Graphic Novel in 2019, the Harvey Award for Best International Book, and the Krause Essay Prize in 2020.
