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by Jean-Michel Rabaté (Editor), Matthew Feldman (Editor), Angeliki Spiropoulou (Editor)
Examining the ways in which modernism is created within specific historical contexts, as well as how it redefines the concept of history itself, this book sheds new light on the historical-mindedness of modernism and the artistic avant-gardes.
Cutting across Anglophone and less explored European traditions and featuring work from a variety of eminent scholars, it deals with issues as diverse as artistic medium, modernist print culture, autobiography as history writing, avant-garde experimentations and modernism's futurity.
Contributors examine both literary and artistic modernism, combining theoretical overviews and archival research with case studies of Anglophone as well as European modernism, which speak to the current historicizing trend in modernist and literary studies.
Author Biography
Jean-Michel Rabaté is a Professor of English and Comparative Literature at the University of Pennsylvania. One of the founders and curators of Slought Foundation in Philadelphia (slought.org), he is a managing editor of the Journal of Modern Literature. In 2008, he was elected a Fellow of the American Academy of Arts and Sciences. Rabaté has authored or edited 38 books on modernism, psychoanalysis, contemporary art, philosophy, and writers like Beckett, Pound and Joyce.
Angeliki Spiropoulou is Associate Professor of Modern European Literature and Theory at Peloponnese University, and Research Fellow at the School of Advanced Studies, University of London. She works on English and European modernism. She has authored or (co-)edited the books: Virginia Woolf, Modernity and History: Constellations with Walter Benjamin; History of European Literature 18th-20thC.; Culture Agonistes; and Walter Benjamin: Images and Myths of Modernity.
