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by David Shilbury (Author), Claudio Bozzi (Author), Ianto Ware (Author)
I Wish I was Twenty One Now - Beyond Doping in the Australian Peloton A Report by Martin Hardie, David Shilbury, Ianto Ware, Claudio Bozzi. This report draws from interviews with current and recently retired professional cyclists and a review of existing anti-doping measures to consider the possibilities for a cleaner, sustainable sport. One of our interview participants captured the complexity of those issues, telling us, "My body is not a temple, but I have to live in it". It was a remark that embodies the tensions at play within and between the various themes we encountered in researching this project. The idea of an athlete, and more so a professional cyclist, as being a privileged free spirit in many ways is at odds with the regimes of location and physical surveillance embodied in such anti-doping measures as the Whereabouts system and the Biological Passport. At the same time, the cyclist is both a mythical hero, famously likened by the philosopher Roland Barthes as well as early sporting journalists like Henri Desgrange, to Greek Gods - and an overworked and exploited worker - the 'giant' and the 'convict' of the road at one and the same time. The cyclist is a sportsperson, a player of a game, at the same time as being an entrepreneur in a global business that produces lifestyles as commodities. They are competitors as well as co-operators, and they find themselves subject to a hybrid global legal regime at the same time as they are subject to the peloton's own internal codes, norms and ethics. Somehow within all of this, professional cyclists must engage in work both on their physical selves, and with their colleagues to fashion a space in which to conduct their lives - a place in which they can learn to live within their bodies and contribute to building a sustainable collective body for all involved in their sport. Thus, mutual respect and sustainability loom large in the logic of the cyclists as an inherent, if contradictory, system to ensure the welfare of their sport, their profession and their industry. On the one hand, their lives are devoted to the higher concepts and values of athleticism, fair play and competition and, on the other, they are in the business of selling a sporting spectacle and their jobs are as embroiled in the less glamorous practicalities common to any industry.
Author Biography
Martin Hardie, has managed bands (such as the Laughing Clowns and Warumpi band) and worked in Aboriginal Art and Craft centres. He has been a solicitor, and a barrister, acting in matters concerning administrative law and constitutional law, and particularly, as counsel for Australian Indigenous artists in their quest for copyright protection, the challenge by the East Timorese Resistance to Australian legislation implementing an agreement with the Republic of Indonesia concerning the division of East Timor's oil and gas resources, and, in a case concerning legislation in Australia legalising euthanasia. He has also been an advisor to various members of the former East Timorese resistance and government, a university lecturer, a cyclist, cycling journalist and team manager. He has lived in the Australia, the UK, Timor Leste, Panama, Mozambique and the basque Country. He currently lives in Australia and teaches law at Deakin University. He spends his time with the ambition of becoming the archetype of life within communism; at the break of dawn a sea kayaker, during the day a teacher and a cook, cyber-conspiracist and correspondent, in the afternoons a student and philosopher and, at nights, simply pleasant company. His home at http: //auskadi.com
