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by Salma Monani (Author)
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Introducing the concepts of d-ecocinema and d-ecocinema criticism, Monani expands the purview of ecocinema studies and not only brings attention to a thriving Indigenous cinema archive but also argues for a methodological approach that ushers Indigenous intellectual voices front and center in how we theorize this archive. Its case-study focus on Canada, particularly the work emanating from the imagineNATIVE Film + Media Arts Festival in Toronto--a nationally and internationally recognized hub in Indigenous cinema networks--provides insights into pan-Indigenous and Nation-specific contexts of Indigenous ecocinema.
This absorbing text is the first book-length exploration foregrounding the environmental dimensions of cinema made by Indigenous peoples, including a particularly fascinating discussion on how Indigenous cinema's ecological entanglements are a crucial and complementary aspect of its agenda of decolonialism.Author Biography
Salma Monani is Professor at Gettysburg College's Environmental Studies department. She has extensively published in ecocinema studies, Indigenous ecomedia, and environmental justice. She is co-editor of four ecocritical media anthologies. As part of her College's Land Acknowledgment Committee, she also engages in public eco-humanities along with community research with Indigenous partners.
