Additional information
by Jeffrey Goodman (Author)
J. S. Bach's Fugue in A minor exists in three versions. The version for lute, BWV 1000, is in French lute tablature by Johann Christian Weyrauch. The violin version (in the key G minor) is from Sonata I, BWV 1001, and is in Bach's own handwriting. The organ version, BWV 539, is an unauthenticated and anonymous arrangement in D minor, and has not been used as source material for this transcription. This transcription is primarily based on the version for lute, but a few elements from the violin version are also incorporated. Since the lute version bears traces of some accommodation for technical considerations relating to the idiosyncrasies of the baroque lute, some minor inconsistencies have been resolved by relying on the violin version, since it is in Bach's own hand. About the Book This book contains three complete scores of the fugue. The musical content of each is virtually identical. The solo, duet and trio versions offer three modes for exploring the music. It is recommended that the player learn both the duet and trio versions, mastering each of the parts. In this way, the musical content of all the contrapuntal melodic strands will become deeply embedded in the player's musical imagination. When the player is fully at ease with each of the individual parts of the duet and trio, then the solo version can be mastered with much greater ease. The technical issues, which are at times quite challenging, then are encountered and resolved. A perfectly detailed musical imagination of all the parts then becomes the impetus for full technical mastery.
Author Biography
JEFFREY GOODMAN is an award winning composer, classical guitarist and teacher currently living in Los Angeles, California. He is also the author of A Beginner's Guide to the Classical Guitar, of which one online reviewer wrote, "Mr. Goodman has created the ultimate introduction to the classical guitar." This innovative book is becoming known as perhaps the most complete multimedia tutor for the beginning classical guitarist on the market. It has been adopted as a college text and has gained an enthusiastic following both within the United States and internationally. He received his Master of Arts degree from Occidental College, where he studied composition and theory with Richard Grayson and Robert Gross. His guitar studies were with Theodore Norman. For many years he taught classical guitar at the University of California at Los Angeles. As a concert artist he has performed at colleges and universities throughout the United States, and his European tours have included appearances at the American Embassy in Vienna and the Salzburg music festival. Recitals in England and Wales for the Oxford International Guitar Festival included a solo recital of 20th century works for the B.B.C. Radio.
