{"product_id":"keith-haring-in-3d-hardcover","title":"Keith Haring in 3D - Hardcover","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eKeith Haring\u003c\/b\u003e (Artist), \u003cb\u003eLarry Warsh\u003c\/b\u003e (Editor), \u003cb\u003eGlenn Adamson\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eA fresh perspective on the work of Keith Haring - one of the world's most beloved contemporary artists - with a special focus on his three-dimensional work\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eFrom the moment he landed in NYC in 1978, Keith Haring took three-dimensional objects - whether discards on the street, household appliances, or subway walls - as his atypical canvas. From cars to vases to refrigerators and even a sarcophagus, these could often be rich sites of collaboration with artist contemporaries including Jean-Michel Basquiat, Kenny Scharf, and LA2 (Angel Ortiz) among others. Extending his unmistakable mark-making to clothes, stage sets, and bodies inspired creative connections beyond the boundaries of the art world: Haring collaborated with the likes of Grace Jones, Bill T. Jones, Madonna, and Annie Leibovitz, the last of whom photographed Haring in an now-famous session during which he made his own body a canvas, painting himself to blend into an elaborate 3D environment. Although his career was brief, Keith Haring's sculpture practice was a significant and integral facet of his extensive oeuvre, with his three-dimensional artworks found in museums and art collections worldwide.\u003c\/p\u003e\u003cp\u003ePublished to coincide with a major exhibition at the Crystal Bridges Museum of American Art, \u003ci\u003eKeith Haring in 3D\u003c\/i\u003e illuminates this rarely explored dimension of Haring's work, and its role in his enduring legacy. The book's generous format and engaging design, including more than 350 illustrations, invites readers to immerse themselves in the world Haring created. Featuring archival photographs of Haring at work, stunning reproductions of his art in three dimensions, and a trove of essays by respected curators, scholars, and collectors, \u003ci\u003eKeith Haring in 3D \u003c\/i\u003ecelebrates in stunning detail the buoyant, brilliant work of one of the world's most iconic artists.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eKeith Haring \u003c\/b\u003e(1958-90) was an American artist born in Reading, PA. He moved to New York City in 1978 and began using the city as his canvas, making chalk drawings in subway stations. His art was eventually seen everywhere, from public murals and nightclubs to galleries and museums around the world. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. He was also known for his activism in promoting AIDS awareness. He died of AIDS-related complications on February 16, 1990 at the age of thirty-one. He has been the subject of retrospectives at the Whitney Museum of American Art, the San Francisco Museum of Modern Art, and the Museum of Contemporary Art Australia, among other venues, and his work is in the permanent collections of major museums around the world.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLarry Warsh\u003c\/b\u003e has been active in the international art world for over thirty years as a publisher and artist-collaborator. An early collector of Keith Haring and Jean-Michel Basquiat, Warsh has loaned artworks by both artists to numerous exhibitions worldwide. Warsh continues to be involved with many notable publishing projects, most prominently as editor of the Princeton University Press \u003ci\u003e-isms\u003c\/i\u003e and \u003ci\u003eSketchbook\u003c\/i\u003e series and essential references on Basquiat, Haring, Ai Weiwei, and other renowned artists.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eGlenn Adamson\u003c\/b\u003e is a curator, writer and historian based in New York and London. The author most recently of \u003ci\u003eA Century of Tomorrows \u003c\/i\u003e(2024), he is currently Curator at Large for the Vitra Design Museum in Germany, Artistic Director for Design Doha--a biennial festival in Qatar--and editor of \u003ci\u003eMaterial Intelligence\u003c\/i\u003e, a quarterly online journal published by the Chipstone Foundation.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eDieter Buchhart\u003c\/b\u003e is an art theorist and curator of numerous international exhibitions, including \u003ci\u003eKeith Haring: The Political Line\u003c\/i\u003e and \u003ci\u003eJean-Michel Basquiat: Boom for Real\u003c\/i\u003e. Author of numerous art reviews, monographs and interviews for \u003ci\u003eKunstforum International\u003c\/i\u003e and other art magazines, Dr. Buchhart holds doctorates in art history and art conservation. From 2007 to 2009, he was director of the Kunsthalle Krems near Vienna.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eDavid Galloway\u003c\/b\u003e (1937-2019) was an Amer-i-can nov-el-ist, cu-ra-tor, jour-nal-ist and academic. A grad-u-ate of Harvard University, he was the found-ing cu-ra-tor of the Tehran Museum of Contemporary Art and a pro-fes-sor at the Ruhr Uni-ver-sity Bochum. As a longtime contributor the \u003ci\u003eInternational Her-ald Tribune\u003c\/i\u003e, he main-tained a close pro-fes-sional re-la-tion-ship with artists in-clud-ing Keith Har-ing, Yoko Ono and Andy Warhol. In the last decades of his life, he resided in both France and Ger-many.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eFrancis M. Naumann\u003c\/b\u003e is a curator, art historian and former art dealer specializing in the Dada and Surrealist periods. He has written numerous articles, books, and exhibition catalogues, including \u003ci\u003eNew York Dada 1915-23\u003c\/i\u003e, a definitive history of the movement. He is author of several books on Marcel Duchamp, including \u003ci\u003eThe Art of Making Art in the Age of Mechanical Reproduction\u003c\/i\u003e and a volume of the artist's collected writings, published as \u003ci\u003eThe Recurrent, Haunting Ghost\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLowery Stokes Sims \u003c\/b\u003eis a specialist in modern and contemporary art, known for her decades-long commitment to diversity and inclusion in the art world. From 1972 to 1999 she was at the Metropolitan Museum of Art, where she curated over thirty exhibitions. She then served as executive director at The Studio Museum in Harlem and Chief Curator for the Museum of Arts and Design. Sims is currently on the board of the Center for Curatorial Studies, Bard College, and the Robert Pousette-Dart Foundation.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eRobert Storr\u003c\/b\u003e has been curator at the Museum of Modern Art, professor of modern art at the Institute of Fine Arts, New York University, and visual arts director of the Venice Biennale - the first American invited to assume that position. He served as dean of the School of Art at Yale University from 2006 to 2016. Also a practicing artist, Storr received his MFA from the School of the Art Institute of Chicago in 1978.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 288\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e April 22, 2026\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":46190795456709,"sku":"9781580937184","price":79.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6718\/5605\/files\/Zoc1FJPGnY9781580937184.webp?v=1778183692","url":"https:\/\/selloorium.com\/products\/keith-haring-in-3d-hardcover","provider":"Selloorium","version":"1.0","type":"link"}