Additional information
by William T. Vollmann (Author)
"Intrepid journalist and novelist William T. Vollman's colossal body of work stands unsurpassed for its range, moral imperative, and artistry."
--Booklist
William T. Vollmann, the National Book Award-winning author of Europe Central, offers a charming, evocative, and piercing examination of the ancient Japanese tradition of Noh theatre and the keys it holds to our modern understanding of beauty. Kissing the Mask is the first major book on Noh by an American writer since the 1916 publication the classic study Pisan Cantos and the Noh by Ezra Pound. But Kissing the Mask is pure Vollman--illustrated with photos by the author with provocative related side-discussions on femininity, transgender, kabuki, pornography, geishas, and more.
What defines beauty when a mask conceals the face, and what can this ancient art teach us about femininity today?
- A Deep Dive into Noh Theatre: Go behind the rainbow curtain into the world of Noh, Japan's ancient and beautiful performing art, as National Book Award-winner William T. Vollmann attempts to decode its mysteries.
- The Art of the Mask: Explore the haunting power of Noh masks, from their creation by master carvers to the way actors use them to convey complex emotions and transcend reality on stage.
- Gender Performance in Japan: From the stylized femininity of Noh and Kabuki to the modern worlds of geishas and transgender women, Vollmann investigates the many faces of womanhood.
- Stunning Author Photography: Illustrated with dozens of Vollmann's own evocative photographs, capturing the faces, costumes, and hidden moments of a world steeped in tradition.
Front Jacket
From the National Book Award-winning author of Europe Central, a charming, evocative and piercing examination of an ancient Japanese tradition and the keys it holds to our modern understanding of beauty
What is a woman? To what extent is femininity a performance? Writing with the extra-ordinary awareness and endless curiosity that have defined his entire oeuvre, William T. Vollmann takes an in-depth look at the Japanese craft of Noh theater, using the medium as a prism to reveal the conception of beauty itself.
Sweeping readers from the dressing room of one of Japan's most famous Noh actors to a trans-vestite bar in the red-light district of Kabukicho, Kissing the Mask explores the enigma surrounding Noh theater and the traditions that have made it intrinsic to Japanese culture for centuries. Vollmann then widens his scope to encompass such modern artists of desire and loss as Mishima, Kawabata and Andrew Wyeth. From old Norse poetry to Greek cult statues, from elite geisha dancers to American makeup artists, from Serbia to India, Vollmann uncovers secrets of staged femininity and mysteries of perceived and expressed beauty, including specific makeup procedures furnished by an L.A. transgender bar girl, a Kabuki female impersonator, and the owner of a semi-clandestine studio for Tokyo cross-dressers.
Kissing the Mask is illustrated with many evocative sketches and photographs by the author.
--BooklistBack Jacket
From the National Book Award-winning author of Europe Central, a charming, evocative and piercing examination of an ancient Japanese tradition and the keys it holds to our modern understanding of beauty
What is a woman? To what extent is femininity a performance? Writing with the extra-ordinary awareness and endless curiosity that have defined his entire oeuvre, William T. Vollmann takes an in-depth look at the Japanese craft of Noh theater, using the medium as a prism to reveal the conception of beauty itself.
Sweeping readers from the dressing room of one of Japan's most famous Noh actors to a trans-vestite bar in the red-light district of Kabukicho, Kissing the Mask explores the enigma surrounding Noh theater and the traditions that have made it intrinsic to Japanese culture for centuries. Vollmann then widens his scope to encompass such modern artists of desire and loss as Mishima, Kawabata and Andrew Wyeth. From old Norse poetry to Greek cult statues, from elite geisha dancers to American makeup artists, from Serbia to India, Vollmann uncovers secrets of staged femininity and mysteries of perceived and expressed beauty, including specific makeup procedures furnished by an L.A. transgender bar girl, a Kabuki female impersonator, and the owner of a semi-clandestine studio for Tokyo cross-dressers.
Kissing the Mask is illustrated with many evocative sketches and photographs by the author.
