Additional information
by Nishat Zaidi (Editor), A. Sean Pue (Editor)
This book explores the use of digital technologies to understand, interpret, and annotate the poetics of Indian literary and cultural texts which circulate in digital forms - in manuscript, and as oral or musical performance.
Author Biography
Nishat Zaidi is Professor of English at Jamia Millia Islamia, New Delhi. As a scholar, critic, and translator, she is a recipient of several prestigious grants and has conducted collaborative research with the Centre for Indian Studies in Africa, University of Witwatersrand, SA; South Asia Institute, Heidelberg University, Germany; and Michigan State University, USA. Her publications include Day and Dastan translated by Nishat Zaidi and Alok Bhalla (2018); Purdah and Polygamy: Life in an Indian Muslim Household, by Iqbalunnisa Hussain, edited and introduced by Nishat Zaidi (2018); Between Worlds: The Travels of Yusuf Khan Kambalposh translated and edited by Mushirul Hasan and Nishat Zaidi (2014) among others. Her forthcoming work is Karbala: A Historical Play (translation of Premchand's play Karbala with a critical introduction and notes) to be published in 2022.
A. Sean Pue is Associate Professor of Hindi Language and South Asian Literature and Culture at Michigan State University, USA. He is the author of I Too Have Some Dreams: N. M. Rashed and Modernism in Urdu Poetry (2014). An Andrew W. Mellon New Directions Fellowship allowed Pue to study linguistics and computer/data science and to develop "Publics of Sound: Data Driven Analysis of the of Poetic Innovation in South Asia," which includes an extensive sound archive of South Asian poetry and analytical and methodological writings. Pue holds a Ph.D. in Middle East and Asian Languages and Cultures and Comparative Literature and Society from Columbia University.
