Additional information
by Julia Listengarten (Author), Brenda Murphy (Editor), Cindy Rosenthal (Author)
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material.
The major playwrights and their plays to receive in-depth coverage in this volume include:* Theresa Rebeck: Omnium Gatherum (2003), Mauritius (2007), and The Understudy (2008);
* Sarah Ruhl: Eurydice (2003), Clean House (2004), and In the Next Room (or the Vibrator Play) (2009);
* Lynn Nottage: Intimate Apparel (2003), Fabulation or Re-Education of Undine (2004), and Ruined (2008);
* Charles Mee: Big Love (2000), Wintertime (2005), and Hotel Cassiopeia (2006).
Author Biography
Julia Listengarten is Professor of Theatre and Coordinator of Graduate Studies at the University of Central Florida, USA. She is a scholar, theatre director, dramaturg, and translator. She is the author of Russian Tragifarce: Its Cultural and Political Roots (2000) and co-editor of Theater of the Avant-Garde: 1950-2000 (2011) and Playing with Theory in Theatre Practice (2012).
Cindy Rosenthal is Professor of Drama and Dance at Hofstra University, New York, USA. She is co-editor of Restaging the Sixties: Radical Theatres and their Legacies (2006), Living on the Street: Plays of the Living Theatre 1989-92 (2008) and The Rise of Performance Studies: Re-thinking Richard Schechner's Broad Spectrum (2011).
Dorothy Chansky is Associate Professor at Texas Tech University, USA.
Wendy Arons is Associate Professor at Carnegie Melon University, USA.
Scott Cummings is Department Chair and Associate Professor at Boston College, USA.
