Additional information
by Maik Goth (Author)
Edmund Spenser's The Faerie Queene (1590; 1596) is an epic romance teeming with dragons, fantastic animals, giants, grotesque human-animal composites, monstrous humans and other creatures. This monograph is the first ever book-length account of Spenser's monsters and their relation to the poetic imagination in the Renaissance. It provides readers with an extended discussion of the role monstrous beings play in Spenser's epic romance, and how they are related to the Renaissance notions of the imagination and poetic creation.
This book first offers a taxonomic inventory of the monstrous beings in The Faerie Queene, which analyses them along systematic and anatomical parameters. It then reads monsters and monstrous beings as signs interacting with the early modern discourse on the autonomous poet, who creates a secondary nature through the use of his transformative imagination and fashions monsters as ciphers that need to be interpreted by the reader.Front Jacket
This monograph is the first comprehensive study of the monsters and monstrous beings in The Faerie Queene. It takes as its starting point Thomas Cooper's sixteenth-century definition of monstrum, which links the monstrous to the notion of the physically deformed, the violation of the rules of nature, and the idea of the sign that needs interpreting. These distinctions also represent Spenser's use of monsters and monstrous beings in The Faerie Queene: he fashions monstrosities as physical deformities violating the rules of nature in order to establish them as meaningful ciphers in 'a continued Allegory' designed to 'fashion a gentleman or noble person in vertuous and gentle discipline'. The book combines an inventory of Spenser's creatures with a study of the poem as a monstrous artefact. It first offers a taxonomic account of the monsters in The Faerie Queene, which analyses them along systematic and anatomical parameters. It then treats monsters and monstrous beings as signs interacting with the early modern discourse on the autonomous poet, who creates a secondary nature through the use of his transformative imagination and fashions monsters as ciphers that need to be interpreted by the reader. This book will appeal to Spenserians and scholars in Renaissance and monster studies, as well as to postgraduate students. It will also be of great interest for university libraries as a reference work on monsters and as a compendium to Renaissance literary criticism.
Back Jacket
This monograph is the first comprehensive study of the monsters and monstrous beings in The Faerie Queene. It takes as its starting point Thomas Cooper's sixteenth-century definition of monstrum, which links the monstrous to the notion of the physically deformed, the violation of the rules of nature, and the idea of the sign that needs interpreting. These distinctions also represent Spenser's use of monsters and monstrous beings in The Faerie Queene: he fashions monstrosities as physical deformities violating the rules of nature in order to establish them as meaningful ciphers in 'a continued Allegory' designed to 'fashion a gentleman or noble person in vertuous and gentle discipline'.
The book combines an inventory of Spenser's creatures with a study of the poem as a monstrous artefact. It first offers a taxonomic account of the monsters in The Faerie Queene, which analyses them along systematic and anatomical parameters. It then treats monsters and monstrous beings as signs interacting with the early modern discourse on the autonomous poet, who creates a secondary nature through the use of his transformative imagination and fashions monsters as ciphers that need to be interpreted by the reader. This book will appeal to Spenserians and scholars in Renaissance and monster studies, as well as to postgraduate students. It will also be of great interest for university libraries as a reference work on monsters and as a compendium to Renaissance literary criticism.Author Biography
Maik Goth is a Research Assistant at Ruhr-Universität Bochum
