Additional information
by Ayse Tashkiran (Author)
'When directors understand the value of a movement director they remove any sense of hierarchy within the room and place movement directors firmly by their side for they are and should be their co-pilot, navigating and creating the world of the play.'
- Joan Iyiola
Growth of movement direction through the 20th century
New insights into embodied theatre practice
Diverse movement approaches and creative preparation
Physical trainings and influences
Working methods with directors and actors in the rehearsal room
Movement for actors in opera, film, television and musical theatre
Relationships between movement direction and theatre choreography
Potential future developments in the field
Author Biography
Ayse Tashkiran is a Senior Lecturer and Co-Course Leader MA/MFA Movement: Directing and Teaching at Royal Central School of Speech and Drama and is the recipient of a Society for Theatre Research award for her research into the history of movement direction. She practises as a movement director for a variety of professional theatre productions and companies including the Young Vic, the RSC and WNO max.
Number of Pages: 240
Dimensions: 0.6 x 9.1 x 6.1 IN
Publication Date: July 09, 2020
