Additional information
by George Nicolas El-Hage (Author)
As the title of this book indicates, this is Nizar's journey in life as a student, a son, a man, a lover, a revolutionary, a rebel, a diplomat, a patriot, an ambassador, a world traveler, a citizen of the world, a literary critic, a champion of women's rights, and a Don Juan. Above all, he is a pioneer of Modern Arabic Poetry and the innovative "poet par excellence" who stood firmly and honestly in the face of the literary and political establishments that held, at that time and for the past thousand years before, an absolute monopoly on the fettered mind and on the restrained imagination of generations of young Arab men and women, both politicians and intellectuals alike. Nizar stood unyielding. He was a "Man against the] Empire." He was the uncompromising witness to his times and era, an effectual participant who helped shape the new movement in Modern Arabic Poetry and modernize the Arabic language and the Arab nation's outlook towards women, love, sex, emotions, and most definitely, patriotic sentiments that were until then politically correct but phony and void of any national passion or commitment. Nizar Qabbani was never a casual observer standing on the margin of history or a bearer of false witness and fake testimony; instead, he was the storm that brought the change and the mirror in which the Arab nation saw its putrefied and failing body reflected and suspended in a vacuum on the decomposed garment of tradition and worn out institutions. This book is not just an autobiography of Nizar Qabbani; rather, it is a comprehensive testimony of his era and a multi-faceted historical and humanistic document that records the story of the Arab nation's emotional, political, social, literary, and cultural struggle against its own outdated tradition, against foreign influences, and ultimately against itself and its own demons of superstition, magic, fables, and archaic beliefs.
Author Biography
George Nicolas El-Hage, Ph.D. is a Lebanese-American poet, professor, linguist, administrator and writer. He was born in Mansourieh El-Metn, Lebanon in 1952. His father was Nicolas Iskandar El-Hage and his mother was Martha Abounader El-Hage. Dr. El-Hage completed his elementary and secondary school education in Lebanon. He acquired his B.A. in Arabic Literature from the Lebanese University in Beirut, Lebanon. While in Beirut, El-Hage studied with and was influenced by poets like Buland al-Haidari and Khalil Hawi. He then immigrated to the United States where he completed both his Master of Arts and Ph.D. in Arabic and Comparative Literature at the Binghamton University. His dissertation (later published into a book by NDU Press, Lebanon) was on William Blake and Kahlil Gibran: Poets of Prophetic Vision. He has taught at Yale University, Binghamton University, The Lebanese University, Columbia University, the Middlebury Institute of International Studies at Monterey and the Defense Language Institute. His academic career has been equally spent between teaching, authoring, lecturing and administration. Dr. El-Hage is a prolific writer with a perfect command of both English and Arabic languages. His training and expertise in the field of Arabic and Comparative Literature has enabled him to delve into a wide range of topics and areas covering literature, mythology, mysticism, language acquisition, criticism, theology and art. He is a published poet in Arabic, both in Modern Standard and in spoken Levantine Dialect as well as in Lebanese Zajal. He also writes poetry in English and is an accomplished translator. Dr. El-Hage has published seven volumes of poetry, numerous research articles, books on language pedagogy and poetry in Lebanese Dialect and Zajal. His poetry betrays a marked fluctuation between a deep romantic sensitivity and a tragic existential awareness which colors his reading of current universal and regional events. The tragedy of his embattled country constitutes a dominant theme in his writings. El-Hage is a supporter of the free verse movement in Modern Arabic Poetry. Nevertheless, he still appreciates the Qasida 'Amudiyya, the classical form of traditional Arabic Poetry. He always chooses short meters, and his poetry is characterized by its musical effects. Many of Dr. El-Hage's books are available on www.amazon.com
