Additional information
by Terrence Chiusano (Author)
Composed of several distinct yet inter-woven long poems, On Generation & Corruption is structured around the conceits of location and dislocation, as it deconstructs a picture-postcard American town. Its title is a clue: in printer's terms, each "generation" reproduced is more "corrupt" than the last. Through this metaphor, Chiusano alludes to the distance from confessional speech that the book embodies in its complex tales and Escher-like syntax.
from "daybook" JULY 1Bog. Spillway. River bank. Cow shit. Shade pools. Boot prints.
Tadpoles. Reed beds. Shallows. Eddies. Snags. Cottonmouths. Cobwebs. JULY 2
The stare stares behind-the-back, bright, between butt-crack and
thigh. The stare widens into a paddle, wide and flat enough to make a
draft when it flaps. The stare picks its nose. The stare halfway wonders
why the closet door is only half-closed. * * * When ecstasy is parted from its practice, when rapture is forced to
choose, that's me: the first efforts, independent principalities. JULY 3
If I draw a hand, say, or a foot, I tow it into view. If I name, a slender
ankle, a napping neck, I pull it like a dove out of a derby, pigeon out of a
porkpie hat.
Author Biography
TERRENCE CHIUSANO received his B.A. in Poetry Writing from the University of Pittsburgh and his M.A. in Literature from the University at Buffalo. His poems have appeared in Colorado Review, Cordite Poetry Review, Yellow Field, Kenning, Ixnay, Queen Street Quarterly, Basinski: A Zine of the Arts, Ignation, and elsewhere. He lives in Pittsburgh.
