Additional information
by Darrell M. Newton (Author)
Beginning in the 1930s and moving into the post millennium, this book provides a historical analysis of the policies and practices established by the BBC as it attempted to assist white Britons in adjusting to the presence of African-Caribbeans. Among the themes the book explores are current representations of race, the future of British television and its impact on multi-ethnic audiences. The chapters include an extensive analysis of television programming, along with personal interviews that reveal the efforts of black Britons working for the BBC, whether as writers, producers or actors.
Front Jacket
Beginning in the 1930s and moving into the post millennium, Newton provides a historical analysis of policies invoked, and practices undertaken as the Service attempted to assist white Britons in understanding the impact of African-Caribbeans, and their assimilation into constructs of Britishness. Management soon approved talks and scientific studies as a means of examining racial tensions, as ITV challenged the discourses of British broadcasting. Soon, BBC2 began broadcasting; and more issues of race appeared on the screens, each reflecting sometimes comedic, somewhat dystopic, often problematic circumstances of integration. In the years that followed however, social tensions such as the Nottingham and Notting Hill riots led to transmissions that included a series of news specials on Britain's Colour Bar, and docudramas such as A Man From the Sun that attempted to frame the immigrant experience for British television audiences, but from the African-Caribbean point of view. Subsequent chapters include an extensive analysis of television programming, along with personal interviews. Topics include current representations of race, the future of British television, and its impact upon multiethnic audiences. Also detailed are the efforts of black Britons working within the British media as employees of the BBC, writers, producers and actors.
Back Jacket
Beginning in the 1930s and moving into the post millennium, Newton provides a historical analysis of policies invoked, and practices undertaken as the Service attempted to assist white Britons in understanding the impact of African-Caribbeans, and their assimilation into constructs of Britishness. Management soon approved talks and scientific studies as a means of examining racial tensions, as ITV challenged the discourses of British broadcasting. Soon, BBC2 began broadcasting; and more issues of race appeared on the screens, each reflecting sometimes comedic, somewhat dystopic, often problematic circumstances of integration. In the years that followed however, social tensions such as the Nottingham and Notting Hill riots led to transmissions that included a series of news specials on Britain's Colour Bar, and docudramas such as A Man From the Sun that attempted to frame the immigrant experience for British television audiences, but from the African-Caribbean point of view. Subsequent chapters include an extensive analysis of television programming, along with personal interviews.
Topics include current representations of race, the future of British television, and its impact upon multiethnic audiences. Also detailed are the efforts of black Britons working within the British media as employees of the BBC, writers, producers and actors.Author Biography
Darrell Newton is Professor of Communication and Journalism at the University of Wisconsin-Eau Claire
