{"product_id":"philosopy-film-motion-picture-paperback","title":"Philosopy Film Motion Picture - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eNoël Carroll\u003c\/b\u003e (Editor), \u003cb\u003eJinhee Choi\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eDesigned for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film.\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eThe featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory\u003c\/li\u003e \u003cli\u003eEight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality\u003c\/li\u003e \u003cli\u003eIssues addressed include the objectivity of documentary films, fear of movie monsters, and moral questions surrounding the viewing of pornography\u003c\/li\u003e \u003cli\u003eReplete with examples and discussion of moving pictures throughout\u003c\/li\u003e \u003c\/ul\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThis authoritative anthology presents key selections from the best contemporary work in philosophy of film and motion pictures. Designed for classroom use, the essays that comprise this volume have been specially chosen for their clarity, precision, philosophical depth, and consonance with current cognitive science and psychology.\u003c\/p\u003e \u003cp\u003eThe volume's eight sections, each introduced by the editors, cover topics such as\u003c\/p\u003e \u003cul\u003e \u003cli\u003eFilm as art\u003c\/li\u003e \u003cli\u003eThe nature of film\u003c\/li\u003e \u003cli\u003eDocumentary cinema\u003c\/li\u003e \u003cli\u003eNarration and emotion in film\u003c\/li\u003e \u003cli\u003eFilm criticism\u003c\/li\u003e \u003cli\u003eFilm's relation to knowledge and morality\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eWhether addressing assumptions about the objectivity of documentary film, fear of movie monsters, or moral questions surrounding the viewing of pornography, this text is replete with examples and discussion of moving pictures throughout.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eNoël Carroll\u003c\/b\u003e is the Mellon Professor of the Humanities at Temple University and the author of \u003ci\u003eBeyond Aesthetics\u003c\/i\u003e (2001), \u003ci\u003eA Philosophy of Mass Art\u003c\/i\u003e (1999), and \u003ci\u003eInterpreting the Moving Image\u003c\/i\u003e (1998).\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e\u003cb\u003eJinhee Choi\u003c\/b\u003e is Assistant Professor of Film Studies at Carleton University. Her work has appeared in the \u003ci\u003eJournal of Aesthetics and Art Criticism\u003c\/i\u003e and \u003ci\u003eThe British Journal of Aesthetics.\u003c\/i\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 448\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 1.28 x 9.6 x 6.74 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e August 26, 2005\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":45846326608069,"sku":"9781405120272","price":143.56,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6718\/5605\/files\/OFg2OEVlMk5wTGNVSVR0NmdacVZJZz09.webp?v=1771401746","url":"https:\/\/selloorium.com\/products\/philosopy-film-motion-picture-paperback","provider":"Selloorium","version":"1.0","type":"link"}