Additional information
by Marth Munro (Editor), Sean Turner (Editor), Allan Munro (Editor)
An apt description of this book appears on the back cover of the book. This descrition was written by Professor Mari -Heleen Coetzee (DTech) and we quote:
"Arthur Lessac's passing in 2011 has not only left the Lessac community grieving for a remarkable man, but has brought into sharp focus the need for a continuation of his vision. This book does exactly that. Beyond furthering his vision, this book brings together artist-scholars who extend his vision into multi-disciplinary domains. By weaving together diverging theoretical and contextual terrains, the book stands testimony to the richness and malleability of Lessac Kinesensics.
The book organically develops from a layered exposition of the work to applications of the work in the domains of performance and well-being. The central epistemological principle underpinning the book is in viewing the bodymindvoice as a mode of 'knowing' and 'being-in-the-world'; simultaneously being-thinking in and through the work in accordance with the parameters of a specific learning experience or research project. The book offers an array of practice-based methodologies to compliment this principle, contributing not only to scholarship on Lessac Kinsensics, but also to the broader domain of research methodologies in/for the arts. In weaving together theoretical terrains and autobiographical narratives, the book offers a reading experience that is simultaneously deeply (and, at times, movingly) immersive and critically reflexive. In terms of praxis, this book foregrounds the ways in which Lessac Kinesensics fosters self-use, self-teaching and self-care - offering ways in which we can better interrogate our inner worlds, extend our understanding of others and optimize our ways of engaging with the external world.
The book is a manifesto of hope: using Lessac Kinesensics to activiate and collectively vision an artistic and pedagogical future greated towards human flourishing."
