Additional information
by Laura Sims (Author)
Laura Sims's debut is the work of an organic synthesizer, one practiced in the restrained art of listening. Her poems exhibit an attenuation that is akin to devotion: By means of maxim and miniaturization, she sorts and stacks the products of humanness. Memes and phonemes of a haiku-like fineness are thereby invited to break the surface of the page.
Author Biography
Laura Sims is the author of two books of poetry: STRANGER (Fence Books, 2009); and PRACTIC, RESTRAINT (Fence Books, Alberta Prize, 2005); and of four chapbooks, including Corrections (Bronze Skull Press, 2006) and Bank Book (Answer Tag Press, 2004). Her work was included in the anthology, The City Visible: Chicago Poetry for the New Century (Cracked Slab Books, 2007), and individual poems have appeared in the journals: DENVER QUARTERLY, Colorado Review, AUFGABE, CRAYON, Cab/Net, Octopus, First Intensity, 26, How2, Parcel, 6X6, La Petite Zine, Columbia Poetry Review, JUBILAT, Lit, and FENCE, among others. She has published book reviews in Boston Review, Jacket, and Rain Taxi; an overview essay on the work of Diane Williams in The Review of Contemporary Fiction (2003); and the article, "David Markson and the Problem of the Novel," in New England Review (2008). She is currently writing essays on the short poem, and working on a poetry manuscript, tentatively titled My god is this a man. She is a co-editor of Instance Press, a curator for the Segue Reading Series, and a volunteer at 826. She lives with Corey and their cat Gomi-chan in the Carroll Gardens neighborhood of Brooklyn.
