Additional information
by Robert S. G. Gordon (Other), Pierpaulo Antonello (Other), John Champagne (Author)
Exploring the contribution of Italy to our understanding of both the history of homosexuality and European modernism, this ground-breaking study analyses three queer modernists - writer Giovanni Comisso, painter and writer Filippo de Pisis, and painter Corrado Cagli.
Author Biography
Currently working at the intersection of queer theory, Italian Studies, and art, music, and literary criticism, John Champagne is Professor of English and Program Chair of Global Languages and Cultures at Penn State Erie, the Behrend College. He is the author of two novels, The Blue Lady's Hands (Lyle Stuart, 1988) and When the Parrot Boy Sings (Meadowlands, 1990), and three previous scholarly monographs, The Ethics of Marginality (University of Minnesota Press, 1995), Aesthetic Modernism and Masculinity in Fascist Italy (Routledge, 2013), and Italian Masculinity as Queer Melodrama, Caravaggio, Puccini, and Contemporary Cinema (Palgrave, 2015). His articles on such varied topics as post-colonial feminist literature, Italian Jewish Memorial sites, and gay porn have appeared in such journals as College English, Modern Italy, and Cinema Journal. Champagne received a Fulbright grant to teach at the University of La Manouba in Tunis, Tunisia, and was the 2018-2019 Penn State Laureate. He and his husband Richard Krone divide their time between Perugia, Italy, and Erie, Pennsylvania.
