Additional information
by Daniel R. Schwarz (Author)
Reissued to commemorate the 100th anniversary of Bloomsday, Reading Joyce's 'Ulysses' includes a new preface taking account of scholarly and critical development since its original publication. It shows how the now important issues of post-colonialism, feminism, Irish Studies and urban culture are addressed within the text, as well as a discussion of how the book can be used by both beginners and seasoned readers. Schwarz not only presents a powerful and original reading of Joyce's great epic novel, but discusses it in terms of a dialogue between recent and more traditional theory. Focusing on what he calls the odyssean reader, Schwarz demonstrates how the experience of reading Ulysses involves responding both to traditional plot and character, and to the novel's stylistic experiments.
Back Jacket
In this major study of Ulysses, Daniel R. Schwarz not only presents a powerful and original reading of Joyce's great epic novel, but discusses it in terms of a dialogue between recent and more traditional literary theory. He takes full account of Gabler's Ulysses: A Critical and Synoptic Edition. Focusing on what he calls the odyssean reader, Schwarz demonstrates how the experience of reading Ulysses involves responding to traditional plot and character as well as to the novel's Stylistic experiment.
Author Biography
DANIEL. R. SCHWARZ is Professor of English and Stephen H. Weiss Presidential Fellow at Cornell University, where he has taught since 1968. He has received Cornell's College of Arts and Sciences Russell award for distinguished teaching. He is the author of the widely read Imagining the Holocaust (1999). His most recent book is Rereading Conrad (2001). His prior books include Reconfiguring Modernism: Explorations in the Relationship Between Modern Art and Modern Literature (1997), Narrative and Representation in Wallace Stevens (1993), The Case for a Humanistic Poetics (1991), The Transformation of the English Novel, 1890-1930 (1989; revised 1995); The Humanistic Heritage: Critical Theories of the English Novel from James to Hillis Miller (1986); Conrad: The Later Fiction (1982); Conrad: 'Almayer's Folly' through 'Under Western Eyes' (1980); and Disraeli's Fiction (1979). He has edited The Dead (1994) and The Secret Sharer (1997) in the Bedford Case Studies in Contemporary Criticism Series, and is co-editor of Narrative and Culture (1994).
