Additional information
by Eric B. White (Author)
A revisionist account of technology's role in the aesthetics, spaces and politics of transatlantic avant-gardes
- Explores of a range of key avant-garde formations in the modernist transatlantic period, from the Italian futurists and English Vorticists to the Dada-surrealist and post-Harlem Renaissance African American experimentalists
- Explores writers' and artists' inventions as well as their texts, and involves them directly in the messy transductions of technology in culture
- Draws on previously unknown photos, manuscripts and other evidence that reveals the untold story of Bob and Rose Brown's 'reading machine' - a cross-disciplinary, meta-formational, and transnational project that proposed to transform the everyday act of reading
Reading Machines in the Modernist Transatlantic provides a new account of aesthetic and technological innovation, from the Machine Age to the Information Age. Drawing on a wealth of archival discoveries, it argues that modernist avant-gardes used technology not only as a means of analysing culture, but as a way of feeding back into it. As well as uncovering a new invention by Mina Loy, the untold story of Bob Brown's 'reading machine' and the radical technicities of African American experimentalists including Gwendolyn Bennett and Ralph Ellison, the book places avant-gardes at the centre of innovation across a variety of fields. From dazzle camouflage to microfilm, and from rail networks to broadcast systems, White explores how vanguardists harnessed socio-technics to provoke social change.
Back Jacket
'Eric White continues his outstanding work on the transatlantic avant-gardes in this brilliant, deeply researched exploration of the relationship between avant-garde creative practices and technological innovation. This compelling and important study offers new terms for an understanding of the role of technology in modern culture and its broad and far-reaching impact.' Laura Marcus, University of Oxford 'In Eric White's acutely-observed study, it is the modernists who first understand that the machines are us, intrinsic to our culture, perceptions and potential, and capable of transforming both our textual experience and social relations.' Tim Armstrong, Royal Holloway, University of London 'Just when we might think we've got the twentieth century figured out, along comes a book like Reading Machines to reveal a lost continent of esoterica just below the surface. Altogether an astonishing spectrum, at once scholarly study and funhouse mirror reordering the visage of modernism.' Jed Rasula, University of Georgia A revisionist account of technology's role in the aesthetics, spaces and politics of transatlantic avant-gardes Reading Machines in the Modernist Transatlantic provides a new account of aesthetic and technological innovation, from the Machine Age to the Information Age. Drawing on a wealth of archival discoveries, it argues that modernist avant-gardes used technology not only as a means of analysing culture, but as a way of feeding back into it. As well as uncovering a new invention by Mina Loy, the untold story of Bob Brown's 'reading machine' and the radical technicities of African American experimentalists including Gwendolyn Bennett and Ralph Ellison, the book places avant-gardes at the centre of innovation across a variety of fields. From dazzle camouflage to microfilm, and from rail networks to broadcast systems, White explores how vanguardists harnessed socio-technics to provoke social change. Eric B. White is Senior Lecturer in American Literature at Oxford Brookes University. Cover image: Saunders, Reading Machine Prototype SIU, 1931 Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-4149-0 Barcode
Author Biography
Eric White is Senior Lecturer in American Literature at Oxford Brookes University. Originally from Vancouver, Canada, he has taught at the University of Cambridge, Anglia Ruskin University and the University of Edinburgh, and has held fellowships at the Beinecke Library, Yale University, the University of Edinburgh, and the University of Oxford. Eric is PI and co-founder of the Avant-Gardes and Speculative Technology Project, which re-imagines modernists' inventions using Augmented Reality.
