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by Peter Lehman (Author)
Running Scared responds to the absence of critical attention to male sexuality in film by bringing representations of phallic masculinity into the spotlight. In his analysis of films, novels, paintings, photographs, popular music, jokes, and videos, Peter Lehman investigates the patriarchal culture that keeps the male body--and especially male genitals--out of sight. Lehman documents the pervasive anxiety underlying images of the male body, arguing that attempts to keep male sexuality hidden in the pursuit of "good taste" and an avoidance of perversion maintains the "male mystique" and preserves the power of the phallus.
Lehman examines representations of the male body and male sexuality in a variety of settings and through many different lenses. Among the films he analyzes are Howard Hawks's Rio Bravo and Rio Lobo; Scarlet Street; feral child films The Wild Child, Kaspar House, and Greystoke; and Nagisa Oshima's In the Realm of the Senses. In these works, Lehman explores the symbolic enculturation of males, assumptions about power and the male body, and the ways that men's and women's bodies are marked differently with regard to scarring, wounding, and aging. In addition to film, Lehman also considers such varied material as Jim Thompson's noir novel The Nothing Man, sexology and medical representations of male sexuality, the video Dick Talk, penis jokes in Hollywood films of the 1970s and 1980s, and popular music by Roy Orbison. This edition of Running Scared also includes a new chapter on male nudity in the films of the 1990s, adding fresh analysis to this classic text. An updated preface situates the book within the current critical climate.
Scholars of film studies, cultural studies, and gender studies and general readers interested in representations of gender and sexuality will appreciate this valuable text.
Back Jacket
Peter Lehman charges that Western culture's silence regarding the sexual representation of the male body perpetuates the mythic power of the phallus. Just as the representation of women is so centrally shaped by the mother/whore dichotomy, the male body is restricted to images of spectacular phallic power or its pitiful, often comic collapse. Surveying a wide range of cultural production, Running Scared traces the careful veiling of male images of sexuality to homophobia, castration anxiety, or fears of not measuring up. But Lehman also examines representations that betray male desire to abandon conventional positions of power. Asking how cultural notions of civilization and science shape texts, he examines narratives about feral boys and writings by sexologists. In chapters dealing with Howard Hawks films, Jim Thompson's noir novel, The Nothing Man, in relation to Hemingway texts, and penis-size jokes, Lehman is concerned with male protagonists who have lost or who lack power. The author's alternative readings of films by such openly gay filmmakers as Almodovar and Fassbinder address intersecting issues of gender, sexuality and spectatorship. Concluding with a discussion of new possibilities for representing masculinity and the male body, he draws on Nagisa Oshima's In the Realm of the Senses, the work of feminist photographers Melody Davis and Sarah Kent, and the songs of Roy Orbison. With its provocative analysis of films, sexology, pornography, popular fiction, photographs, popular music, and videos, Running Scared confronts the cultural taboos that limit our representation of and response to images of the male body.
Author Biography
Peter Lehman is director of the Center for Film and Media Research and Film and Media Studies at Arizona State University, Tempe.
