Additional information
by Stephanie Loveless (Editor), Tullis Rennie (Editor), Morten Søndergaard (Editor)
Situated Listening sets forth a collection of novel methodologies and creative proposals for listening, advancing the framework of situated listening as both a theoretical concept and a methodological practice.
Author Biography
Stephanie Loveless is a media artist whose research centres on practices of listening. She is senior lecturer in Arts, Director of the Center for Deep Listening at Rensselaer Polytechnic Institute, and editor of A Year of Deep Listening: 365 Text Scores for Pauline Oliveros.
Tullis Rennie is a composer, improviser, recordist, and researcher in socially engaged sound practices. His creative work encompasses audio composition, installation, participative community projects, and live/improvised performances presented in over 20 countries. He is senior lecturer in Music at City St George's, University of London.
Morten Søndergaard is an internationally acclaimed curator and Associate Professor at Aalborg University, Denmark. He is the head curator at Momentum Biennial 2025 and founder of the conference series POM - Politics of the Machines. He has published on sound- and media art and curated exhibitions including ZKM, Eyebeam, and Roskilde.
Freya Zinovieff is a sound artist, researcher, and curator. Freya's research covers the intersections of sound, violence, ethics, and activism. Freya holds a PhD from Simon Fraser University, a First-Class Honours degree from Cambridge School of Art at Anglia Ruskin University, and an MFA from the University of New South Wales, Sydney.
