Additional information
by Reinhard Strohm (Editor)
The idea of a global history of music may be traced back to the Enlightenment, and today, the question of a conceptual framework for a history of music that pays due attention to global relationships in music is often raised. The studies presented in this volume aim to promote post-European historical thinking. They are based on the idea that a
Author Biography
Reinhard Strohm studied musicology, violin, Latin, and Romance languages in Munich, Pisa, Milan and Berlin, and obtained his PhD in 1971 at the TU Berlin. In 1970-1982 he collaborated on a critical edition of the works of Richard Wagner. He taught at King's College London, UK, in 1975-1983 and 1990-1996, was Professor of Musicology at Yale University, USA, in 1983-1990, and Heather Professor of Music at Oxford University, UK, in 1996-2007. Visiting professorships were held at Chicago, Rome, Vienna, Budapest, Zurich, and Hamburg. Awards include the Dent Medal (RMA) in 1977 and the Balzan Prize (for Musicology) in 2012. Strohm's research focuses on European music ca.1400-ca.1800, the history of opera, historiography, and postmodern criticism of musicology.
