Additional information
by Lucy Ella Rose (Author)
Explores the interconnected creative partnerships of the Wattses and De Morgans - Victorian artists, writers and suffragists
This is the first book dedicated to examining the marital relationships of Mary and George Watts and Evelyn and William De Morgan as creative partnerships. The study demonstrates how they worked, individually and together, to support greater gender equality and female liberation in the nineteenth century. The author traces their relationship to early and more recent feminism, reclaiming them as influential early feminists and reading their works from twentieth-century theoretical perspectives. By focusing on neglected female figures in creative partnerships, the book challenges longstanding perceptions of them as the subordinate wives of famous Victorian artists and of their marriages as representatives of the traditional gender binary. This is also the first academic critical study of Mary Watts's recently published diaries, Evelyn De Morgan's unpublished writings and other previously unexplored archival material by the Wattses and the De Morgans.
Key Features:
- Reveals the ways in which the couples promoted progressive socio-political ideas
- Draws on extensive archival research and analyses unpublished writings, including diaries and poems
- Focuses on neglected female figures in creative partnerships to challenge longstanding perceptions of them as the submissive or subordinate wives of famous Victorian artists, and of their marriages as representatives of the traditional gender binary
- Shows how male and female writers and artists engaged with mid-to-late Victorian feminism together and individually, reclaiming them as influential early feminists
Front Jacket
*APPROVED* Explores the interconnected creative partnerships of the Wattses and De Morgans - Victorian artists, writers and suffragists This is the first book dedicated to examining the marital relationships of Mary and George Watts and Evelyn and William De Morgan as creative partnerships. The study demonstrates how they worked, individually and together, to support greater gender equality and female liberation in the nineteenth century. The author traces their relationship to early and more recent feminism, reclaiming them as influential early feminists and reading their works from twentieth-century theoretical perspectives. By focusing on neglected female figures in creative partnerships, the book challenges longstanding perceptions of them as the subordinate wives of famous Victorian artists and of their marriages as representatives of the traditional gender binary. This is also the first academic critical study of Mary Watts's recently published diaries, Evelyn De Morgan's unpublished writings and other previously unexplored archival material by the Wattses and the De Morgans. Lucy Ella Rose is Teaching Fellow in English at the University of Surrey. A leading Mary Watts scholar, Rose has worked extensively on the Mary Watts archive at Watts Gallery and assisted the transcription of her diaries. She presents and publishes articles on Victorian literature, art, culture and feminism.
Author Biography
Lucy Ella Rose is Lecturer in Victorian Literature at the University of Surrey. Her collaborative doctoral award from the University of Surrey and Watts Gallery supported her research on women in nineteenth-century creative partnerships. A leading Mary Watts scholar, Rose has worked extensively on the Mary Watts archive and assisted the transcription of her diaries. She presents and publishes articles on Victorian literature, art, culture and feminism.
