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by Harald Weinrich (Author), Jane K. Brown (Translator), Marshall Brown (Translator)
WINNER, SCAGLIONE PRIZE FOR A TRANSLATION OF A SCHOLARLY STUDY OF LITERATURE, MODERN LANGUAGE ASSOCIATION
A foundational book by one of the most distinguished German humanists of the last half century, Tempus joins cultural linguistics and literary interpretation at the hip. Developing two controversial theses--that sentences are not truly meaningful in isolation from their contexts and that verb tenses are primarily indicators not of time but of the attitude of the speaker or writer--Tempus surveys a dazzling array of ancient and modern texts from famous authors as well as casual speakers of German, French, Italian, Spanish, Portuguese, Latin, and English, with a final chapter extending the observations to Greek, Russian, and world languages. A classic in German and long available in many other languages, Tempus launched a new discipline, text linguistics, and established a unique career that was marked by precise observation, sensitive cultural outreach, and practical engagement with the situation of migrants. Weinrich's robust and lucid close readings of famous and little-known authors from all the major languages of western Europe expand our literary horizons and challenge our linguistic understanding.Back Jacket
"Harald Weinrich's classic book, long overdue for English translation, offers a groundbreaking study of time and tense. Arguing that tenses indicate not time in itself but the speaker's relation to the utterance, Weinrich distinguishes narrative tenses from tenses of speech or commentary and explores the different ways in which they function in various European languages and works of literature."--Jonathan Culler, author of Theory of the Lyric
A foundational book by one of the most distinguished German humanists of the last half century, Tempus joins cultural linguistics and literary interpretation at the hip. Developing two controversial theses--that sentences are not truly meaningful in isolation from their contexts and that verb tenses are primarily indicators not of time but of the attitude of the speaker or writer--Tempus surveys a dazzling array of ancient and modern texts from famous authors as well as casual speakers of German, French, Italian, Spanish, Portuguese, Latin, and English, with a final chapter extending the observations to Greek, Russian, and world languages. A classic in German and long available in many other languages, Tempus launched a new discipline, text linguistics, and established a unique career that was marked by precise observation, sensitive cultural outreach, and practical engagement with the situation of migrants. Weinrich's robust and lucid close readings of famous and little-known authors from all the major languages of western Europe expand our literary horizons and challenge our linguistic understanding. Harald Weinrich (1927-2022) was Professor of German as a Foreign Language at the Ludwig-Maximilians-Universität, Munich, and held the Chair of Romance Languages and Literatures at the Collège de France. He is the author of On Borrowed Time: The Art and Economy of Living with Deadlines (2009), The Linguistics of Lying, and Other Essays (2005), and Lethe: The Art and Critique of Forgetting (2004). Jane Brown and Marshall Brown are retired professors of comparative literature at the University of Washington.Author Biography
Harald Weinrich (1927-2022), after holding professorships in Romance philology and in linguistics at several universities, was founding chair of the Department of German as a Foreign Language at the Ludwig Maximilian University of Munich, and, following his retirement in 1992, for six years held the Chair of Romance Languages and Literatures at the Collège de France. Among his many books on literature, linguistics, French and German grammar, language pedagogy, and the sociology of cultures, three have previously been translated into English: The Linguistics of Lying and Other Essays (Washington, 2012), On Borrowed Time: The Art and Economy of Living with Deadlines (Chicago, 2008), and Lethe: The Art and Critique of Forgetting (Cornell, 2004).
