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by Jordan Scott (Editor), Rob Budde (Editor), Ken Belford (Author)
Ken Belford's career has spanned six decades and three lives. The Answer to Everything collects Belford's poetry of the 1960s in Vancouver, his "lan(d)guage" poetry of the early 2000s influenced by his time on remote Blackwater Lake, and his more political-charged poetry of the last decade while he lived in Prince George. This collection allows readers to discover or reflect on Ken's unique and challenging work, seeing patterns and themes in his poetics as they evolved out of his TISH-influenced poetry and into more contemporary dialogues where Belford seemingly establishes a poetic school of his own. The volume contains excerpts from: Fireweed The Post Electric Cave Man Pathways into the Mountains ecologue lan(d)guage Decompositions Internodes Slick Reckoning The collection has been organized chronologically, setting foundational texts from his earlier work next to his celebrated recent books that concretized his distinct poetic sensibilities. This remarkable collection is assembled based on Belford's wishes by those close to him as a definitive record of his life's work.
Author Biography
Jordan Scott is a poet and children's author. Scott has written five books of poetry and was the recipient of the 2018 Latner Writers' Trust Poetry Prize for his contributions to Canadian poetry. Scott's debut children's book (illustrated by Sydney Smith), I Talk Like a River, was a New York Times Best Children's Book of 2020. Rob Budde teaches creative writing at the University of Northern British Columbia in Prince George. He has published eight books (poetry, novels, interviews, and short fiction) and appeared in numerous literary magazines including Canadian Literature, The Capilano Review, West Coast Line, Dusie, ditch, filling Station, Prairie Fire, Matrix, and dandelion. His most recent books are declining america and Dreamland Theatre from Caitlin Press, which was shortlisted for the BC Book Prize Dorothy Livesay Award. Manuscripts in process include Testes (a poetic engagement with maleness), Panax (a cross-genre relationship with Devil's Club), and The Salmon Wars (a speculative fiction trilogy about 'ecoterrorism' in a near-future Northern BC). He co-edits Thimbleberry Magazine: Arts + Culture in Northern BC. Ken Belford was born in Alberta and grew up in Vancouver. From 1970 - 2005 he, along with his wife and daughter, operated a non-consumptive ecotourism lodge in the unroaded mountains around Blackwater Lake near the headwaters of the Nass and Skeena Rivers. The "self-educated lan(d)guage" poet has said that living for decades in the mountains has afforded him a unique relationship to language that rejects the colonial impulse to write "nature poetry," but speaks from the outside, from the regions of the 'other'. "The conventional standards of narrative and lyric poetry give me nothing. The intention of the sequences I write is to assemble words that can be messaged to the habituated souls of the city from the land-aware that live outside city limits." Spending his last years in Prince George, British Columbia, with his activist wife, Si Transken, Belford continued to challenge the boundaries of the conventional forms of the various schools of poetry, and maintained dialogues with many poets in Canada and America. His eight books of poetry are Fireweed, The Post Electric Caveman, Pathways Into the Mountains, lan(d)guage, ecologue, Decompositions, Internodes and slick reckoning. Si Transken is an Associate Professor in Social Work at UNBC. Her doctorate is in Equity Studies from the University of Toronto. She was taught by Laurentian University students for three years before coming to Prince George in 2001 to teach in the Social Work and Gender Studies Program. Her private practice, Trans/Formative Services, brings women into her life who are courageous, tenacious, and clawing their way through the pain of patriarchy, classism, heterosexism, and many other ugly oppressions. Si has been involved in Jezebel's Jam (an annual fundraiser organized through the Northern Women's Centre) every year as an organizer and a performer, and has supported numerous other outreach organizations around the community, including AWAC, STOP, the Sexual Assault Centre and the Beach House.
