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by Serge Daney (Author), A. S. Hamrah (Foreword by), Christine Pichini (Translator)
The writings of one of the greatest film critics of his generation on the auteur approach of the French New Wave to a more structural examination of film.
One of the greatest film critics of his generation, Serge Daney wrote for Cahiers du Cinéma before becoming a journalist for the daily newspaper Libération. The writings collected in this volume reflect Daney's evolving interests, from the auteur approach of the French New Wave to a more structural examination of film, psychoanalysis, and popular culture. Openly gay throughout his lifetime, Daney rarely wrote explicitly about homosexuality but his writings reflect a queer sensibility that would influence future generations. In regular intellectual exchanges with Gilles Deleuze, Félix Guattari, and Roland Barthes, Daney wrote about cinema autobiographically, while lyrically analyzing the transition from modern cinema to postmodern media. A noted polymath, Daney also published books about tennis and Haiti's notorious Duvalier regime. His criticism is open and challenging, polyvocal and compulsively readable.Author Biography
Serge Daney became the editor of Cahiers du Cinema in 1974. In 1981, he left Cahiers and wrote about visual culture for Libération, turning his attention to television and coverage of the Gulf War. He collaborated with Claire Denis on a documentary film, Jacques Rivette, le veilleur (1990). He died of AIDS-related causes in 1992.
A. S. Hamrah is a writer living in Brooklyn. He contributed a column on film to n+1 from 2008 to 2019, and his essays and reviews have appeared in Harper's, Bookforum, Cineaste, and other publications. His first book, The Earth Dies Streaming: Film Writing, 2002-2018, was published by n+1 Books in 2018.
Number of Pages: 616
Dimensions: 2.3 x 8.7 x 6.3 IN
Publication Date: September 06, 2022
