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by Adam Nayman (Author), Telegramme Paper Co (with Oliver Staffor (Illustrator), Little White Lies (Producer)
"A great gift for any Coen fan-boy or fan-girl in your life." ―NPR's Pop Culture Happy Hour
"Filled with glossy, well-chosen pictures as well as thoughtful, eloquent analysis." ―Filmmaker
Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this is the definitive exploration of the Coen brothers' oeuvre.
Combining critical text--biography, close film analysis, and enlightening interviews with key Coen collaborators--with a visual aesthetic that honors the Coens' singular mix of darkness and levity, The Coen Brothers: This Book Really Ties the Films Together is film critic Adam Nayman's carefully crafted effort to plot, as he puts it, "some Grand Unified Theory of Coen-ness."
Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. They have given movie fans classics of all types--comedy, history, drama, romance. Their movies have a distinctive style and point of view: hilarious, sad, thoughtful, musical, sometimes all at once. When someone says a movie is Coen Brothers-like, every serious movie lover knows exactly what they mean.
Adam Nayman carefully sifts through their complex cinematic universe and covers their popular, award-winning, and unforgettable creations:
- The Big Lebowski
- Raising Arizona
- Fargo
- Inside Llewyn Davis
- O Brother, Where Art Thou
- Barton Fink
- Miller's Crossing
- Blood Simple
- The Hudsucker Proxy
- And more
Author Biography
Adam Nayman is a film critic, lecturer, and author based in Toronto. He is a contributing editor for Cinema Scope and a frequent contributor to The Ringer, The New York Times, Sight & Sound, and The Criterion Collection. Nayman is the author of several acclaimed monographs, including The Coen Brothers: This Book Really Ties the Films Together, David Fincher: Mind Games, and Paul Thomas Anderson: Masterworks. His critical work is celebrated for its deep analysis of modern auteurs, blending academic rigor with accessible, sharp-witted prose. Beyond his books, he lectures on cinema and journalism at the University of Toronto and TMU (formerly Ryerson University).
