Additional information
by Isabel Capeloa Gil (Editor), Helena Gonçalves Da Silva (Editor)
Culture and conflict inevitably go hand in hand. The very idea of culture is marked by the notion of difference and by the creative, fraught interaction between conflicting concepts and values. The same can be said of all key ideas in the study of culture, such as identity and diversity, memory and trauma, the translation of cultures and globalization, dislocation and emplacement, mediation and exclusion. This series publishes theoretically informed original scholarship from the fields of literary and cultural studies as well as media, visual, and film studies. It fosters an interdisciplinary dialogue on the multiple ways in which conflict supports and constrains the production of meaning, on how conflict is represented, how it relates to the past and projects the present, and how it frames scholarship within the humanities.
Editors:
Isabel Capeloa Gil, Catholic University of Portugal, Lisbon, Portugal; Paulo de Medeiros, University of Warwick, UK; Catherine Nesci, University of California, Santa Barbara, USA.
Editorial Board:
Arjun Appadurai, New York University,
Claudia Benthien, Universität Hamburg,
Elisabeth Bronfen, Universität Zürich,
Bishnupriya Ghosh, University of California, Santa Barbara,
Joyce Goggin, Universiteit van Amsterdam,
Lawrence Grossberg, University of North Carolina at Chapel Hill,
Andreas Huyssen, Columbia University,
Ansgar Nünning, Universität Gie en,
Naomi Segal, University of London, Birkbeck College,
Márcio Seligmann-Silva, Universidade Estadual de Campinas,
António Sousa Ribeiro, Universidade de Coimbra,
Roberto Vecchi, Universita di Bologna,
Samuel Weber, Northwestern University,
Liliane Weissberg, University of Pennsylvania,
Christoph Wulf, FU Berlin,
Longxi Zhang, City University of Hong Kong
Back Jacket
The book discusses how culture simultaneously shapes and is shaped by the economy. In a world stumbling from one financial crisis to another, the neat separation of economics and culture has been consistently challenged. Structured in four chapters that deal with theory and conjuncture, with finance and art, with literary representation and fiduciary narrativity, and with cognition and the economy, this collection analyzes the process whereby a material icon invested with the symbolical power to rule social exchange becomes an explanatory narrative determining the way societies produce meaning.
Author Biography
Isabel Capeloa Gil, UCP - CECC, Lisbon, Portugal; Helena Gonçalves Silva, UL - CECC, Lisbon, Portugal.
