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by Charles Todd (Author)
On a deserted road, late at night, Scotland Yard's Ian Rutledge encounters a frightened woman standing over a body, launching an inquiry that leads him into the lair of a stealthy killer and the dangerous recesses of his own memories in this twentieth installment of the acclaimed New York Times bestselling series.
Hours after his sister's wedding, a restless Ian Rutledge drives aimlessly, haunted by the past, and narrowly misses a motorcar stopped in the middle of a desolate road. Standing beside the vehicle is a woman with blood on her hands and a dead man at her feet.
She swears she didn't kill Stephen Wentworth. A stranger stepped out in front of their motorcar, and without warning, fired a single shot before vanishing into the night. But there is no trace of him. And the shaken woman insists it all happened so quickly, she never saw the man's face.
Although he is a witness after the fact, Rutledge persuades the Yard to give him the inquiry, since he's on the scene. But is he seeking justice--or fleeing painful memories in London?
Wentworth was well-liked, yet his bitter family paint a malevolent portrait, calling him a murderer. But who did Wentworth kill? Is his death retribution? Or has his companion lied? Wolf Pit, his village, has a notorious history: in Medieval times, the last wolf in England was killed there. When a second suspicious death occurs, the evidence suggests that a dangerous predator is on the loose, and that death is closer than Rutledge knows.
Front Jacket
Since the Great War's end, Scotland Yard Inspector Ian Rutledge has suffered from shell shock, with only two constants to sustain him: his police work and his sister, Frances. Now Frances is married, and Rutledge cannot shake a deepening sense of loss.
Unable to sleep, Rutledge drives out of London into the countryside. He's jolted from his memories when his headlamps pick out a motorcar stopped in the road. Stand-ing next to the vehicle is a woman in evening dress, with blood on her hands and a dead man at her feet.
She swears she didn't kill Stephen Wentworth--that a stranger fired a single shot before vanishing into the night. Rutledge is asked to take on the case, but when he probes the victim's background, the Inspector discovers that Wentworth's life was shrouded in mystery. His estranged family call him a murderer. But who did Wentworth kill? When a second suspicious death occurs, the evidence
suggests a predator is on the loose. But where is he?
Back Jacket
Since the Great War's end, Scotland Yard Inspector Ian Rutledge has suffered from shell shock, with only two constants to sustain him: his police work and his sister, Frances. Now Frances is married, and Rutledge cannot shake a deepening sense of loss.
Unable to sleep, Rutledge drives out of London into the countryside. He's jolted from his memories when his headlamps pick out a motorcar stopped in the road. Stand-ing next to the vehicle is a woman in evening dress, with blood on her hands and a dead man at her feet.
She swears she didn't kill Stephen Wentworth--that a stranger fired a single shot before vanishing into the night. Rutledge is asked to take on the case, but when he probes the victim's background, the Inspector discovers that Wentworth's life was shrouded in mystery. His estranged family call him a murderer. But who did Wentworth kill? When a second suspicious death occurs, the evidence
suggests a predator is on the loose. But where is he?
