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by P. McTighe (Author)
Samuel Beckett's work is deeply concerned with physical contact - remembered, half-remembered, or imagined. Applying the philosophical writings of Jean-Luc Nancy and Maurice Merleau-Ponty that feature sensation, this study examines how Beckett's later work dramatizes moments of contact between self and self, self and world, and self and other.
Author Biography
Trish McTighe is a teaching assistant in the department of Drama Studies in the School of Creative Arts at Queen s University Belfast.