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by Elena Prokhorova (Editor), Alexander Prokhorov (Editor), Rimgaila Salys (Editor)
Emerging from the shadows of empire and memory, this groundbreaking study reveals how contemporary Eastern European film and television use neo-noir to confront unresolved trauma, power, and injustice in the post-Soviet world.
This collection explores for the first time the pervasive presence of neo-noir film and TV series (including releases on widely popular streaming channels) in recent Balkan, Czech, Polish, Russian, and Ukrainian cinema and television. Classic western noir's structural pessimism was driven by a utopian desire for a just society, a quality which made it attractive to all eastern European countries. The films and series in the collection present modern iterations of a still-relevant colonial past, such as the repression of dissent and of sexual minorities, culpability in World War II, and the activities of the security services. Contemporary narratives reveal the effects of the violence released after the collapse of the Soviet Union-the continuing trauma and scars of an unprocessed past, social dysfunction, organized crime, ecological degradation, exploitation of indigenous populations, and restorative nostalgia for previous systems of governance.
Author Biography
Alexander Prokhorov is Professor of Russian and Film Studies at The College of William & Mary.
Elena Prokhorova is Professor of Russian and Film Studies at The College of William & Mary.
Rimgaila Salys is Professor Emerita of the Russian Program at the University of Colorado Boulder and an expert in 20th century Russian literature, film, and culture.
