{"product_id":"the-musical-discourse-of-servitude-authority-autonomy-and-the-work-concept-in-fux-bach-and-handel-hardcover","title":"The Musical Discourse of Servitude: Authority, Autonomy, and the Work-Concept in Fux, Bach and Handel - Hardcover","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eHarry White\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eExamining, for the first time, the compositions of Johann Joseph Fux in relation to his contemporaries Bach and Handel, \u003cem\u003eThe Musical Discourse of Servitude\u003c\/em\u003e presents a new theory of the late baroque musical imagination. Author Harry White contrasts musical \"servility\" and \"freedom\" in his analysis, with Fux tied to the prevailing servitude of the day's musical imagination, particularly the hegemonic flowering of North Italian \u003cem\u003epartimento\u003c\/em\u003e method across Europe. In contrast, both Bach and Handel represented an autonomy of musical discourse, with Bach exhausting generic models in the mass and Handel inventing a new genre in the oratorio. A potent critique of Lydia Goehr's seminal \u003cem\u003eThe Imaginary Museum of Musical Works\u003c\/em\u003e, \u003cem\u003eThe Musical Discourse of Servitude\u003c\/em\u003e draws on Goehr's formulation of the \"work-concept\" as an imaginary construct which, according to Goehr, is an invention of nineteenth-century reception history. White locates this concept as a defining agent of automony in Bach's late\u003cbr\u003eworks, and contextualized the \"work-concept\" itself by exploring rival concepts of political, religious, and musical authority which define the European musical imagination in the first half of the eighteenth century. A major revisionist statement about the musical imagination in Western art music, \u003cem\u003eThe Musical Discourse of Servitude\u003c\/em\u003e will be of interest to scholars of the Baroque, particularly of Bach and Handel.\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eHarry White\u003c\/strong\u003e is Professor of Music at University College Dublin and a Fellow of the Royal Irish Academy of Music. He is widely acclaimed as the foremost cultural historian of music in Ireland.\u003cbr\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 326\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.7 x 9.5 x 6.3 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e September 29, 2020\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":45917946609861,"sku":"9780190903879","price":179.55,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0757\/6718\/5605\/files\/UTEzcW9QLyt5YlkzNThRcU13L1VLdz09.webp?v=1772283597","url":"https:\/\/selloorium.com\/products\/the-musical-discourse-of-servitude-authority-autonomy-and-the-work-concept-in-fux-bach-and-handel-hardcover","provider":"Selloorium","version":"1.0","type":"link"}