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by Christian Bök (Author)
Many artists seek to attain immortality through their art, but few would expect their work to outlast the human race and live on for billions of years. As Canadian poet Christian B k has realized, it all comes down to the durability of your materials.--The Guardian
Internationally best-selling poet Christian B k has spent more than ten years writing what promises to be the first example of living poetry. After successfully demonstrating his concept in a colony of E. coli, B k is on the verge of enciphering a beautiful, anomalous poem into the genome of an unkillable bacterium (Deinococcus radiodurans), which can, in turn, read his text, responding to it by manufacturing a viable, benign protein, whose sequence of amino acids enciphers yet another poem. The engineered organism might conceivably serve as a post-apocalyptic archive, capable of outlasting our civilization.
Book I of The Xenotext constitutes a kind of demonic grimoire, providing a scientific framework for the project with a series of poems, texts, and illustrations. A Virgilian welcome to the Inferno, Book I is the orphic volume in a diptych, addressing the pastoral heritage of poets, who have sought to supplant nature in both beauty and terror. The book sets the conceptual groundwork for the second volume, which will document the experiment itself. The Xenotext is experimental poetry in the truest sense of the term.
Christian B k is the author of Crystallography (1994) and Eunoia (2001), which won the Griffin Poetry Prize. He teaches at the University of Calgary in Alberta, Canada.
Author Biography
Christian Bök is the author not only of Crystallography (1994), a pataphysical encyclopedia nominated for the Gerald Lampert Memorial Award, but also of Eunoia (2001), a bestselling work of experimental literature, which has gone on to win the Griffin Prize for Poetic Excellence. Bök teaches English at the University of Calgary.
