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by Raymond Carr (Author), Willie James Jennings (Foreword by)
This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian who constructed his theology "from above" and engaged the powers in the background of Nazi Germany, and James H. Cone, the father of Black Theology in America, who constructed his theology "from below" and confronted white racism--the most intractable issue in America's history. In this three-volume project, Carr employs the aesthetic thinking of the jazz legend Thelonious Monk to reconceptualize, restructure, and advance the theologies of Barth and Cone. This first volume appeals to the Bebop tune "Epistrophy" as the analogical framework for (re)conceptualizing the historical form and hermeneutical backgrounds of Karl Barth and James H. Cone. Monk's mode of musical thinking establishes the aesthetic theological architecture Carr uses to reiterate and reimagine the revolutionary theological contributions of Barth and Cone.
Author Biography
Raymond Carr is an international public theologian. His research interests are theologically ecumenical, historically sensitive, and radically inclusive. He is a visiting professor and director of the Codex Charles H. Long Papers Project at Harvard Divinity School, a research scholar at the Moses Mesoamerican Archive and Research Project at Harvard University, and the president elect of the Society for the Study of Black Religion (SSBR).
