Additional information
by James Edward Ford (Author)
Winner, 2020 William Sanders Scarborough Prize, Modern Language Association
Honorable Mention, MSA First Book Prize
In Thinking Through Crisis, James Edward Ford III examines the works of Richard Wright, Ida B. Wells, W. E. B. Du Bois, Zora Neale Hurston, and Langston Hughes during the 1930s in order to articulate a materialist theory of trauma. Ford highlights the dark proletariat's emergence from the multitude apposite to white supremacist agendas. In these works, Ford argues, proletarian, modernist, and surrealist aesthetics transform fugitive slaves, sharecroppers, leased convicts, levee workers, and activist intellectuals into protagonists of anti-racist and anti-capitalist movements in the United States.
Author Biography
James Edward Ford III is Associate Professor of English at Occidental College. His writings on the aesthetics of black radicalism, black popular culture, and political theory have appeared in the journals Novel, Biography, Cultural Critique, College Literature, New Centennial Review, ASAP Journal, and multiple edited collections. He is currently working on "Phillis, the Black Swan: Disheveling the Origins" and "Hip-Hop's Late Style: Disheveling the Origins," two projects that rethink the origins and ends of black American cultural production.
