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by Arka Chattopadhyay (Editor), Arthur Rose (Editor)
In his philosophical project, aesthetic orientation and political leanings, Alain Badiou is a product of, and a leading advocate for, European modernism.
From the milieu of May 1968 to the contemporary 'postmodern' ethos, Badiou returns, time and again, to avant-garde modernist texts - aesthetic, political, philosophical and scientific - as inspiration for his response to present situations. Drawing upon disciplines as varied as architecture, cinema, theatre, music, history, mathematics, poetry and philosophy, Understanding Badiou, Understanding Modernism shows how Badiou's contribution to philosophy must be understood within the context of his decades-long conversation with modernist thinking.
As with other volumes in the series, Understanding Badiou, Understanding Modernism follows a three part structure. The first section explores Badiou's readings of aesthetic, political and scientific modernities; both introducing his system and pointing to how Badiou offers manifold readings of modernism. The middle portion of the book connects Badiou's thought with the various strands of aesthetic, philosophical, amorous and political modernisms in relation to which it can be extended. The final section is a glossary of key concepts and categories that Badiou uses in his interface with modernism.
Author Biography
Arka Chattopadhyay is Associate Professor of Literary Studies and Philosophy, Humanities and Social Sciences at IIT Gandhinagar, India. He is the author of Beckett, Lacan and the Mathematical Writing of the Real (Bloomsbury 2019) and co-editor of Nabarun Bhattacharya: Aesthetics and Politics in a World after Ethics (Bloomsbury 2020).
Arthur Rose is Postdoctoral Research Fellow at the University of Exeter, UK. He is the author of Literary Cynics: Borges, Beckett, Coetzee (Bloomsbury 2017) and co-editor of Theories of History (Bloomsbury 2018).
